Tomaticket<\/a>.<\/p>\nLa compa\u00f1\u00eda teatral revisita el cl\u00e1sico de S\u00f3focles, Ant\u00edgona, conocida como la tragedia de las tragedias. La obra muestra la lucha de una mujer revolucionaria en un mundo donde reina el orden establecido por los hombres. La protagonista desaf\u00eda las leyes dictadas por Creonte y se convierte en la hero\u00edna tr\u00e1gica m\u00e1s rebelde, pero m\u00e1s humana, de la
\ndramaturgia universal.<\/p>\n
El montaje de Ariadna Sim\u00f3, no obstante, no estar\u00e1 ubicado en tiempo ni en espacio ya que la creadora pretende mostrar el car\u00e1cter actual del discurso cl\u00e1sico y trasladarlo a diferentes escenarios de trinchera hist\u00f3rica y barricada social. En ese sentido, Sim\u00f3 explica que el p\u00fablico asistir\u00e1 a una puesta en escena \u201cfeminista, reivindicativa y controvertida en la que la
\ncatarsis est\u00e1 asegurada\u201d.<\/p>\n
Ariadna Sim\u00f3 Gonz\u00e1lez es licenciada en Filosof\u00eda por la Universidad de La Laguna, m\u00e1ster en Performance por The Gaiety School of Acting de Dubl\u00edn y doctora en Direcci\u00f3n Esc\u00e9nica de TeatrMusical por The Trinity College. En la actualidad, es directora de Magua Producciones, as\u00ed como de la Escuela Interpretarte y la compa\u00f1\u00eda teatral Amateatro.<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
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