Pedro García de Sanlúcar. Primus inter pares among the Cadiz stonemasons documented in the origin of the Gothic Cathedral of Seville (doc. 1419–1440)

Authors

  • David José Caramazana Malia Universidad de Sevilla

DOI:

https://doi.org/10.25145/j.histarte.2026.11.03

Keywords:

Cathedral of Seville, Ysambart, Carlín, Alfonso Martínez, San Cristóbal Mountain Range

Abstract

This work reconstructs the professional career of Pedro García de Sanlúcar, one of the master builders of Seville Cathedral during the early phases of the Gothic project, active between 1419 and 1440. Based on documentary evidence that was previously scattered and not linked to a single creative personality, a unified interpretation of his activity as a stonemason and bricklayer is proposed. The study systematically reviews the surviving documentation and analyzes the works that can be associated with his participation, providing a better understanding of his role in the construction of the cathedral. Furthermore, his critical reception is addressed, highlighting the historiographical gaps that have influenced the perception of his figure. The conclusions offer a reevaluation of the master builder, underscoring his importance within the context of Sevillian Gothic and contributing to a better understanding of the creative and professional processes involved in the cathedral’s construction.

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Published

2026-06-10

Issue

Section

Artículos

How to Cite

Caramazana Malia, David José. 2026. “Pedro García de Sanlúcar. Primus Inter Pares Among the Cadiz Stonemasons Documented in the Origin of the Gothic Cathedral of Seville (doc. 1419–1440)”. Accadere. Journal of Art History, no. 11 (June): 51-80. https://doi.org/10.25145/j.histarte.2026.11.03.