No. 7 (2024)

Internationally oriented issue addressing different topics, in particular: an unprecedented assessment of the international trajectory of Max Jiménez Huete (1900–1947), a central figure in Costa Rican and Central American avant-garde art through his international journey; the figure of the imaginer Luján Pérez, analysing one of the minor sculptures attributed to him, namely a previously unknown Calvary; the anti-modernist process of the journal Quixote between 1920 and 1926; the genealogy of the maternal imaginary in Argentine cinema from 1933 to the present, mapping its most representative figures and their evolution over time; and the ways of representing Picasso’s human anatomy in relation to the biopolitical and, above all, thanatopolitical development of fascisms during the 1930s and 1940s, in Spain and Europe.