No. 9 (2025)
International issue featuring: a study of the domestic furnishings of the First Marquis of Espinardo in the Kingdom of Galicia as a means of representing Baroque comfort; an approach to female taste at the Spanish court of the seventeenth century through the portraits of Isabel of Bourbon and Mariana of Austria; an intermedial reading of the work of Marga Gil Roësset through the literary, sculptural, and pictorial figures that traverse it; an analysis of Enlightenment-inspired policies and reforms applied in viceregal Lima under Gil de Taboada y Lemos at the end of the eighteenth century; a documentary review of the Convent of the Minims in Granada within the context of the 1836 disentailment; and a new attribution to the sculptor Juan Adán of the sculptural group of Our Lady of Bethlehem from the Convent of Santa Cruz in Córdoba, thus expanding the known catalogue of his workshop.



