Griffin alkyd oil colours: composition, properties and application

Authors

  • Mariano Espinosa González de San Pedro Escuela Superior de Diseño Felicidad Duce

Keywords:

Painting, mixed techniques, synthetic resins, conservation, drying

Abstract

Griffin alkyd oil colours: composition, properties and application». one of the main Draw backs of oil paint is that it is slow to dry. in view of this, the question is whether there is any other kind of paint with the properties of oil colour but with a shorter drying time. The answer is yes, and takes the form of alkyd oil colours; they are sold in Spain by Winsor & newton as Griffin Fastrying oil Colour. These oil paints are relatively new, not very well-known by painters and as yet very few studies have been carried out on them. aimed at rectifying this shortage of information, the article contains the main conclusions drawn from a study examining the composition of Griffin paints, their main qualities (viscosity, surface sheen, flexibility, texture, opacity, drying time which is what most interests us here permanence and so on), its practical application in visual art (media, solvents, painting rules, corrections, glaze, varnish, etc.) and how it can be mixed with other painting procedures such as traditional oils, acrylic, hot wax and various kinds of tempera (egg, glue and casein).

References

(1) Pyle, David y Pierce, Emma. Winsor & Newton. El Libro del óleo. Guía completa para pintores. Publicado por Winsor & Newton. Middlesex, 2002.

(2) Ploeger, Rebecca, Scalarone, Dominique y Chiantore, Oscar. Thermal analytical study of the oxidative stability of artists’ alkyd paints. Polymer Degradation & Stability núm. 94 (2009), pp. 2036-2041. Elsevier. Ámsterdam, 2009.

(3) Ploeger, Rebecca, Scalarone, Dominique y Chiantore, Oscar. Characterization of commercial artists´ alkyd paints. Journal of Cultural Heritage núm. 9 (2008), pp. 412-419. Elsevier. Ámsterdam, 2008.

(4) Blake, Wendon. Painting in alkyd. Watson Guptill in cooperation with Windsor & Newton. New York, 1982.

(5) Fuesers, Olga y Zumbühl, Stefan. The influence of organic solvents on the mechanical properties of alkyd and oil paints, artículo que recoge su ponencia en Art 2008, 9th International Conference on NDT of Art, celebrada en Jerusalén (Israel) entre el 25 y el 30 de mayo de 2008. http://www.ndt.net/article/art2008/papers/219Fuesers.pdf.

(6) Meklenburg, Marion. Determining the aceptable ranges of relative humidity and temperature in Museums and Galleries. Part 1, Structural Response to Relative Humidity. Publicado en 2007 por el Smithsonian Museum Conservation Institute en su página web: http://www.si.edu/mci/downloads/reports/Mecklenburg-Part1-RH.pdf.

(7) Meklenburg, Marion. Determining the aceptable ranges of relative humidity and temperatura in Museums and Galleries. Part 2, Structural Response to Temerature. Publicado en 2007 por el Smithsonian Museum Conservation Institute en su página web: http://www.si.edu/mci/downloads/reports/Mecklenburg-Part2-Temp.pdf.

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Published

2011-04-20

Issue

Section

Articles (peer-reviewed)

How to Cite

Espinosa González de San Pedro, Mariano. 2011. “Griffin Alkyd Oil Colours: Composition, Properties and Application”. Revista de Bellas Artes. Artes Plásticas, Estética, Diseño E Imagen, no. 11 (April): 127-57. https://www.ull.es/revistas/index.php/artes/article/view/5292.