No. 13 (2016)

Articles (peer-reviewed)

• Some Pieces to Assemble the Body of Art

  Asier Laspiur Ibarguchi

  37-56

  • PDF (Spanish)

• Charles Blanc and the Legend of Delacroix as Optical Mixer

  Diego Gómez Sánchez

  57-79

  • PDF (Spanish)

• Art and the Ecological Connection. The Space of Art and Nature “La Font del Molí”

  Juan José Llobell Andrés

  81-109

  • PDF (Spanish)

• The Vanishing Axis as a Resource in the Architectonic Backgrounds in the Full-length Films of Animation in USA (1980-2005)

  Roberto V. Giménez Morell, Urbez Pardo Cervera

  243-264

  • PDF (Spanish)

• The Space Transformed Through the Goya’s Mural Paintings: the Basilic of El Pilar and Saint Anthony of la Florida

  Aurelio Vallespín Muniesa

  11-35

  • PDF (Spanish)

• Design pattern of the Holy Chalice of Valencia

  Gabriel Songel

  213-234

  • PDF (Spanish)

• Between Pain and Harmony. The homunculus in Antoni Tàpies’s painting

  José Manuel García Perera

  111-135

  • PDF (Spanish)

• Dynamic Expression in Animation through juxtaposition of non-chronological phases of movement

  Rosa Gertrudis Peris Medina, Carmen Lloret, Catedrática de Universidad, Mercedes Consuelo Peris Medina

  265-283

  • PDF (Spanish)

• Iconography of hysteria Representations of gender and hysteric bodies in Paul Richter’s photographs and the desire cells of Louise Bourgeois

  María José Zanón Cuenca, María Lourdes Santamaría Blasco

  137-160

  • PDF (Spanish)

• Introspection in the Convergence of Art and Neuroscience

  Pierre d’Argyll, Dolores Fernández

  235-242

  • PDF (Spanish)

• Alkyds in contemporary painting

  Mariano Espinosa González de San Pedro

  183-212

  • PDF (Spanish)

• Drawing as Mark and Fragment A There and Back Way

  Manuel Bru Serrano

  161-181

  • PDF (Spanish)