La cabecera fílmica en el biopic de artista

Authors

  • Javier Moral Martín

Keywords:

Cinema, painting, artist, heading, biographical picture, audiovisual graphics, film title design

Abstract

This work has as objective to analyze narrative strategies of film titles for films about artists; particularly those of the biographical gener. Through a comparative study of films like Moulin Rouge (Vincent Minelli, 1953), Lust for life (John Huston, 1955), or the modern version of Lautrec (1997) by Roger Planchon, the aim is to deduce the tactics of presentation/ deterrence used in the films narrative. Using analytical gramatical means (image, text, music) their semantic side is also examined, this is to say, their capacity to produce meanings within a persuasive strategy. Meanings which introduce us directly into the univers of the film.

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Published

2004-02-15

Issue

No. 2 (2004)

Section

Projects

License

The works published in this journal are the property of their respective authors, who grant the journal Bellas Artes the right of first publication, as stated in our Authorship Rights Policy.

How to Cite

Moral Martín, Javier. 2004. “La Cabecera Fílmica en El Biopic de Artista”. Revista de Bellas Artes. Artes Plásticas, Estética, Diseño E Imagen, no. 2 (February): 257-82. https://www.ull.es/revistas/index.php/artes/article/view/6576.