No. 8 (2010)

View No. 8 (2010)

Published: 2010-04-22

Articles (peer-reviewed)

Analysis of two works with split vanishing points (Paolo Uccello and Ercole de Roberti) and the implication of this resource of perspective on 20th century artists

Roberto V. Giménez Morell

33-47
- PDF (Spanish)
New emulsions and binder mediums for artistic painting

Constancio Collado Jareño, Amparo Galbis Juan

15-31
- PDF (Spanish)
The spirit of perspective or fundamental treatise on practical perspective for artists) by Andrés Rossi (Madrid, 1781-Sevilla, 1849)

José Ibáñez Álvarez

49-77
- PDF (Spanish)
Experimentation as a form of knowledge: the paradigm of Brunelleschi’s invention

Javier Díez Álvarez, Raquel Caerols Mateo

79-97
- PDF (Spanish)
Impregnation of the myths of the artist among students of various national fine arts faculties. Psychological profiles and professional openings

Joaquín Sánchez-Ruiz, Jorge Durán Suárez, Miguel Alvira Juan

99-118
- PDF (Spanish)
Identity construction with the camera as a transitional object: an analysis of the work of Sadie Benning

Juan Antonio Cerezuela Zaplana

119-141
- PDF (Spanish)
Wisdom and Madness

José Miguel Elvira Aretxabaleta

145-167
- PDF (Spanish)
Around volcanic rock. 2009

María Isabel Sánchez Bonilla

175-180
- PDF (Spanish)

Projects

Laboratorio Editorial Canario

Atilio Doreste Alonso

169-172
- PDF (Spanish)

Recensions