Charles Baudelaire and the photography: the eye-camera of the poet

Abstract

In Charles Baudelaire’s «Tableaux pari­siens» and Le Spleen de Paris, an eye-camera that takes pictures of reality operates in a latent way. This photographic metaphor allows the poet to capture the Parisian landscape to fix it in the positive of poetry. In this article we analyze Baudelairian poetics by an interdisciplinary perspective that combines the language of literature and photography. We will use as theoretical framework Philippe Hamon’s semiological approach and Walter Benjamin Marxist theory.