El mito como intertexto: la reescritura de los mitos en las obras literarias

Authors

  • Juan Herrero Cecilia Universidad de Castilla-La Mancha

Keywords:

Myth, mythcriticism, mythoanalisis, literary myths, intertext, hypertextuality, comparative literature, literary criticism

Abstract

The main aim of this study is to describe the different modes in which a myth can be rewritten or reformulated within the thematic universe of a given literary work. Myth is understood here as a model tale which displays a response to typically human problem or conflict, as well as an intertext which creates a framework of reference for the author to conceptualize the myth in his/her the fictional universe so that it better fits his/her personal sensitivity or the contemporary cultural context. In order to tackle the question of intertextuality, it is necessary to establish the differences between the following concepts: ancestral oral myth, literarisized myth, literary myth, explicit ant implicit myths, mythical themes in certain genres, etc. Finally, the analysis of myth rewriting is carried out a mythocritical and comparative literature perspective.

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Published

2020-04-06

Issue

Section

Varia

How to Cite

Herrero Cecilia, Juan. 2020. “El Mito Como Intertexto: La Reescritura de Los Mitos en Las Obras Literarias”. Çédille, Journal of French Studies, no. 2 (April): 61-80. https://www.ull.es/revistas/index.php/cedille/article/view/1269.