El juego de la parodia en la escritura de Anne F. Garréta

Abstract

Abstract

The objective of this article is to study the dimension of parody in the work of Anne Garréta in light of the theories of Authier-Revuz regarding the essential heterogeneity of discourse. We show how Garréta’s parody makes allusion to other sources without specifying them and systematically effaces borders between her own discourse and that of others. We argue that through this personal (inter)textual montage Garréta unveils a social, literary and linguistic critique to the informed reader.