The Necessity of Art in Jorge Semprun's L'écriture ou la vie
Keywords:
Memory, Deportation, Cinema, Photography, Music, Fine artsAbstract
In this autobiographical novel about his internment in Buchenwald, Semprun often alludes to Art. Firstly, former prisoners use the works by artists unconnected with the concentration camp as a reference when trying to portray their inconceivable experience. In this way, Art constitutes a nexus with Freedom, which allows them to endure their internment. Secondly, Art is also a doorway to Memory. Thirdly, we must mention the particular relation between totalitarianism and Art. Finally, we will see that, whether it be Art for Art’s sake, or in a more utilitarian way, life and artistic creation unite against death and dehumanization
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Published
2016-04-15
Issue
Section
Varia
How to Cite
Pedrol-Aguilà, Marina. 2016. “The Necessity of Art in Jorge Semprun’s L’écriture ou la Vie”. Çédille, Journal of French Studies, no. 12 (April): 348-67. https://www.ull.es/revistas/index.php/cedille/article/view/1547.








