Terms of Address and Invocant Impulse in Léonora Miano's Work

Abstract

This article examines the terms of address in L'intérieur de la nuit by Léonora Miano. Following a psychoanalytic and semantic-pragmatic perspective, I will try to show the way in which this discursive and oral marker constructs and models the identity of the speaker, as well as showing the « invocant impulse » (Lacan, 1973), reflection of the unconscious