Cuadernos del CEMYR https://www.ull.es/revistas/index.php/cemyr <p><em><strong>Cuadernos del CEMyR</strong></em> presents the results of the yearly international meetings and seminars held at the Institute of Medieval and Renaissance Studies of The Universidad de La Laguna. Its contents are both monographic and interdisciplinary and show the state of affairs and the latest research lines around an important issue. Individual studies from the fields of diverse philological, historical, literary or artistic disciplines enable a more insightful gaze on such issues from the point of view of the history of attitudes and world-view. The journal is aimed at researchers, teachers, students and the general public with a special interest in medieval and Renaissance studies.</p> Universidad de La Laguna es-ES Cuadernos del CEMYR 1135-125X <p>The articles published in <em>Cuadernos del Cemyr</em> are distributed through the web portal of the Publications Service of the University of La Laguna and are freely accessible under a <a href="https://creativecommons.org/licenses/by-nc-sa/4.0/" target="_blank" rel="noopener">Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license (CC BY-NC-SA 4.0)</a>.</p> <div class="flex-1 overflow-hidden"> <div class="react-scroll-to-bottom--css-besyz-79elbk h-full dark:bg-gray-800"> <div class="react-scroll-to-bottom--css-besyz-1n7m0yu"> <div class="flex flex-col items-center text-sm dark:bg-gray-800"> <div class="group w-full text-gray-800 dark:text-gray-100 border-b border-black/10 dark:border-gray-900/50 bg-gray-50 dark:bg-[#444654]"> <div class="text-base gap-4 md:gap-6 md:max-w-2xl lg:max-w-xl xl:max-w-3xl p-4 md:py-6 flex lg:px-0 m-auto"> <div class="relative flex w-[calc(100%-50px)] flex-col gap-1 md:gap-3 lg:w-[calc(100%-115px)]"> <div class="flex flex-grow flex-col gap-3"> <div class="min-h-[20px] flex flex-col items-start gap-4 whitespace-pre-wrap"> <div class="markdown prose w-full break-words dark:prose-invert light"> <p>Authors retain the copyright and grant the journal the right of first publication of the work, as well as a Creative Commons license that allows others to share the work with an acknowledgement of the authorship of the work and its initial publication in this scientific journal.</p> <p>Authors may separately establish additional agreements for the non-exclusive distribution of the version of the work published in <em>Cuadernos del Cemyr</em> (for example, publishing it in an institutional repository or in a book), with acknowledgement of its initial publication in this journal.</p> </div> </div> </div> </div> </div> </div> </div> </div> </div> </div> In memoriam. Denis Menjot https://www.ull.es/revistas/index.php/cemyr/article/view/2025-00-A Eduardo Aznar Vallejo ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-24 2025-02-24 33 15 16 Introduction. The participation of Small and Medium-Sized Agents in the Fiscal Business in the Hispanic Kingdoms at the End of the Middle Ages https://www.ull.es/revistas/index.php/cemyr/article/view/2025-01-A <p>This dossier analyzes the role of small and medium-sized administrators in the fiscal management of the Hispanic kingdoms at the end of the Middle Ages through five studies. These works examine how these actors, using various mechanisms such as tax farming and collaborative networks, participated in tax collection and administration. Their role was crucial to the stability of the fiscal system, as they enabled greater social and territorial penetration and improved efficiency in resource distribution. The five case studies cover different territories, including Seville, the Canary Islands, and the Crown of Aragon, highlighting the diversity of fiscal models.</p> Pablo Ortego Rico Juan Manuel Bello León ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-21 2025-02-21 33 17 26 10.25145/j.cemyr.2025.33.01 Small and medium tax agents in the sevillian council treasury in the first half of the XV Century https://www.ull.es/revistas/index.php/cemyr/article/view/2025-02-A <p class="p1"><span class="s1">In</span> <span class="s1">last</span> <span class="s1">years,</span> <span class="s1">the</span> <span class="s1">study</span> <span class="s1">of</span> <span class="s1">fiscal</span> <span class="s1">agents</span> <span class="s1">has</span> <span class="s1">emerged</span> <span class="s1">as</span> <span class="s1">one</span> <span class="s1">of</span> <span class="s1">the</span> <span class="s1">most</span> <span class="s1">prominent</span> <span class="s1">lines</span> <span class="s1">of research</span> <span class="s1">in</span> <span class="s1">the</span> <span class="s1">field</span> <span class="s1">of</span> <span class="s1">Late</span> <span class="s1">Medieval</span> <span class="s1">and</span> <span class="s1">Early</span> <span class="s1">Modern</span> <span class="s1">Fiscal</span> <span class="s1">History.</span> <span class="s1">However,</span> <span class="s1">researchers have</span> <span class="s1">generally</span> <span class="s1">been</span> <span class="s1">focusing</span> <span class="s1">on</span> <span class="s1">major</span> <span class="s1">financiers,</span> <span class="s1">forgetting</span> <span class="s1">the</span> <span class="s1">considerable</span> <span class="s1">number</span> <span class="s1">of</span> <span class="s1">small investors</span> <span class="s1">who</span> <span class="s1">participated</span> <span class="s1">in</span> <span class="s1">the</span> <span class="s1">tax</span> <span class="s1">systems</span> <span class="s1">of</span> <span class="s1">this</span> <span class="s1">period.</span> <span class="s1">In</span> <span class="s1">this</span> <span class="s1">article</span> <span class="s1">we</span> <span class="s1">will</span> <span class="s1">analyze</span> <span class="s1">the</span> <span class="s1">role of these individuals through the study of the municipal taxation of the city of Seville in</span> <span class="s1">the</span> <span class="s1">first</span> <span class="s1">half</span> <span class="s1">of</span> <span class="s1">the</span> <span class="s1">fifteenth</span> <span class="s1">century. There,</span> <span class="s1">in</span> <span class="s1">one</span> <span class="s1">of</span> <span class="s1">the</span> <span class="s1">richest</span> <span class="s1">and</span> <span class="s1">most</span> <span class="s1">dynamic</span> <span class="s1">cities of</span> <span class="s1">the</span> <span class="s1">Crown</span> <span class="s1">of</span> <span class="s1">Castile,</span> <span class="s1">we</span> <span class="s1">will</span> <span class="s1">observe</span> <span class="s1">how</span> <span class="s1">many</span> <span class="s1">residents</span> <span class="s1">found</span> <span class="s1">in</span> <span class="s1">tax</span> <span class="s1">lease</span> <span class="s1">a</span> <span class="s1">formula to</span> <span class="s1">revitalize</span> <span class="s1">their</span> <span class="s1">incomes.</span> <span class="s1">Only</span> <span class="s1">thanks</span> <span class="s1">to</span> <span class="s1">this</span> <span class="s1">social</span> <span class="s1">participation</span> <span class="s1">the</span> <span class="s1">consolidation</span> <span class="s1">of</span> <span class="s1">the&nbsp;</span>Seville hacienda was possible.</p> José Manuel Triano Milán ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 29 50 10.25145/j.cemyr.2025.33.02 The tithing rents market and its agents. https://www.ull.es/revistas/index.php/cemyr/article/view/2025-03-A <p class="p1">This study analyzes the tithing rents market and its agents in the last years of the 15th&nbsp;century. To do this, the fiscal map of the archbishopric of Seville is addressed, the profile of&nbsp;the agents involved in the leasing of the tithe and the way in which they participated in the&nbsp;system. At the same time, the economic characteristics of the period and the relationship they&nbsp;have with the tithe rent are considered. For this purpose, the data contained in the so-called&nbsp;«libros de las rentas de los diezmos del vino y del aceite» preserved in the Archivo Catedral de&nbsp;Sevilla will be used, as these are suitable for our objective, as well as because they are the only&nbsp;complete lists of lessees for the medieval period. All of this has allowed us to verify the local&nbsp;and «minimalist» profile of the agents involved in the tithe, the atomization of the tithing&nbsp;rents market and the relationship between this tax and the dense web of small economic&nbsp;transactions that interweaved and supplied the medieval markets.</p> Andrés Requena Parra ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 51 84 10.25145/j.cemyr.2025.33.03 The implementation of the Royal Treasury in the Canarian Archipelago: https://www.ull.es/revistas/index.php/cemyr/article/view/2025-04-A <p class="p1"><span class="s1">This</span> <span class="s1">work</span> <span class="s1">aims</span> <span class="s1">to</span> <span class="s1">synthesize</span> <span class="s1">how</span> <span class="s1">the</span> <span class="s1">fiscal</span> <span class="s1">regime</span> <span class="s1">that</span> <span class="s1">had</span> <span class="s1">evolved</span> <span class="s1">in</span> <span class="s1">the</span> <span class="s1">Kingdom</span> <span class="s1">of</span> <span class="s1">Castile since</span> <span class="s1">at</span> <span class="s1">least</span> <span class="s1">the</span> <span class="s1">13th</span> <span class="s1">century</span> <span class="s1">was</span> <span class="s1">implemented</span> <span class="s1">in</span> <span class="s1">the</span> <span class="s1">Canary</span> <span class="s1">Islands.</span> <span class="s1">Although</span> <span class="s1">the</span> <span class="s1">islands benefited</span> <span class="s1">from</span> <span class="s1">similar</span> <span class="s1">situations</span> <span class="s1">to</span> <span class="s1">other</span> <span class="s1">territories</span> <span class="s1">incorporated</span> <span class="s1">into</span> <span class="s1">the</span> <span class="s1">Crown</span> <span class="s1">during</span> <span class="s1">the</span> <span class="s1">late Middle Ages, the archipelago enjoyed certain circumstances that set it apart from other</span> <span class="s1">regions.</span> <span class="s1">Lower</span> <span class="s1">custom</span> <span class="s1">tariffs,</span> <span class="s1">fewer</span> <span class="s1">taxes,</span> <span class="s1">and</span> <span class="s1">a</span> <span class="s1">rapid</span> <span class="s1">increase</span> <span class="s1">in</span> <span class="s1">revenue</span> <span class="s1">characterized</span> <span class="s1">a</span> <span class="s1">fiscal</span> <span class="s1">administration</span> <span class="s1">carried</span> <span class="s1">out</span> <span class="s1">by</span> <span class="s1">small</span> <span class="s1">and</span> <span class="s1">large</span> <span class="s1">leaseholders</span> <span class="s1">alike.</span> <span class="s1">The</span> <span class="s1">work</span> <span class="s1">is</span> <span class="s1">complemented by</span> <span class="s1">tables</span> <span class="s1">and</span> <span class="s1">graphs</span> <span class="s1">that</span> <span class="s1">enhance</span> <span class="s1">our</span> <span class="s1">understanding</span> <span class="s1">of</span> <span class="s1">the</span> <span class="s1">fiscal</span> <span class="s1">system</span> <span class="s1">developed</span> <span class="s1">in</span> <span class="s1">the&nbsp;</span>Islands between the late 15th and early decades of the 16th century.</p> Juan Manuel Bello León ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 85 116 10.25145/j.cemyr.2025.33.04 Collecting taxes in times of plague: https://www.ull.es/revistas/index.php/cemyr/article/view/2025-05-A <p class="p1"><span class="s1">The</span> <span class="s1">aim of this paper is to offer a general approach, based on significant examples, to the</span> <span class="s1">circumstances</span> <span class="s1">under</span> <span class="s1">which</span> <span class="s1">the</span> <span class="s1">public</span> <span class="s1">powers</span> <span class="s1">and</span> <span class="s1">local</span> <span class="s1">agents</span> <span class="s1">of</span> <span class="s1">the</span> <span class="s1">Crown</span> <span class="s1">of</span> <span class="s1">Castile</span> <span class="s1">ma-</span> <span class="s1">naged</span> <span class="s1">the</span> <span class="s1">collection</span> <span class="s1">of</span> <span class="s1">royal</span> <span class="s1">and</span> <span class="s1">urban</span> <span class="s1">taxes</span> <span class="s1">on</span> <span class="s1">consumption</span> <span class="s1">and</span> <span class="s1">commerce</span> <span class="s1">in</span> <span class="s1">epidemic</span> <span class="s1">contexts,</span> <span class="s1">for</span> <span class="s1">a</span> <span class="s1">chronology</span> <span class="s1">that</span> <span class="s1">extends</span> <span class="s1">between</span> <span class="s1">1467</span> <span class="s1">and</span> <span class="s1">the</span> <span class="s1">great</span> <span class="s1">plague</span> <span class="s1">epidemic</span> <span class="s1">of</span> <span class="s1">1507-1508.</span> <span class="s1">The following aspects will be addressed: the chronology and extension of the</span> <span class="s1">plague</span> <span class="s1">cycles</span> <span class="s1">of</span> <span class="s1">the</span> <span class="s1">period;</span> <span class="s1">the</span> <span class="s1">economic</span> <span class="s1">disruption</span> <span class="s1">factors</span> <span class="s1">caused</span> <span class="s1">by</span> <span class="s1">epidemics,</span> <span class="s1">or</span> <span class="s1">by</span> <span class="s1">the</span> <span class="s1">measures</span> <span class="s1">adopted</span> <span class="s1">to</span> <span class="s1">contain</span> <span class="s1">their</span> <span class="s1">spread;</span> <span class="s1">its</span> <span class="s1">consequences</span> <span class="s1">on</span> <span class="s1">trade</span> <span class="s1">and</span> <span class="s1">consumption</span> <span class="s1">taxes;</span> <span class="s1">the</span> <span class="s1">mechanisms</span> <span class="s1">articulated</span> <span class="s1">by</span> <span class="s1">public</span> <span class="s1">powers</span> <span class="s1">and</span> <span class="s1">tax</span> <span class="s1">collectors</span> <span class="s1">to</span> <span class="s1">mitigate</span> <span class="s1">or</span> <span class="s1">repair</span> <span class="s1">economic</span> <span class="s1">damage,</span> <span class="s1">based</span> <span class="s1">on</span> <span class="s1">forms</span> <span class="s1">of</span> <span class="s1">negotiation</span> <span class="s1">aimed</span> <span class="s1">at</span> <span class="s1">facilitating</span> <span class="s1">or</span> <span class="s1">making</span> <span class="s1">payments</span> <span class="s1">more</span> <span class="s1">flexible.</span> <span class="s1">With</span> <span class="s1">this,</span> <span class="s1">it</span> <span class="s1">will</span> <span class="s1">be</span> <span class="s1">possible</span> <span class="s1">to</span> <span class="s1">observe</span> <span class="s1">to</span> <span class="s1">what</span> <span class="s1">extent</span> <span class="s1">the</span> <span class="s1">public</span> <span class="s1">powers</span> <span class="s1">and</span> <span class="s1">tax</span> <span class="s1">collectors</span> <span class="s1">reacted</span> <span class="s1">to</span> <span class="s1">those</span> <span class="s1">adverse</span> <span class="s1">situations,</span> <span class="s1">proposing</span> <span class="s1">solutions</span> <span class="s1">to</span> <span class="s1">compensate</span> <span class="s1">for</span> <span class="s1">the</span> <span class="s1">problems</span> <span class="s1">caused</span> <span class="s1">by</span> <span class="s1">the</span> <span class="s1">plague</span> <span class="s1">and</span> <span class="s1">limit</span> <span class="s1">its</span> <span class="s1">effects</span> <span class="s1">on</span> <span class="s1">the</span> <span class="s1">«financial</span> <span class="s1">fabric».</span></p> Pablo Ortego Rico ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 117 219 10.25145/j.cemyr.2025.33.05 The role played by the 'porteros reales' in the royal finance of the Crown of Aragon during the 14th Century https://www.ull.es/revistas/index.php/cemyr/article/view/2025-06-A <p class="p1"><span class="s1">This</span> <span class="s1">article</span> <span class="s1">provides</span> <span class="s1">an</span> <span class="s1">overview</span> <span class="s1">of</span> <span class="s1">the</span> <span class="s1">involvement</span> <span class="s1">of</span> <span class="s1">royal</span> <span class="s1">porters</span> <span class="s1">in</span> <span class="s1">economic</span> <span class="s1">and</span> <span class="s1">fi- nancial</span> <span class="s1">matters</span> <span class="s1">related</span> <span class="s1">to</span> <span class="s1">the</span> <span class="s1">royal</span> <span class="s1">treasury.</span> <span class="s1">Through</span> <span class="s1">the</span> <span class="s1">study</span> <span class="s1">of</span> <span class="s1">these</span> <span class="s1">agents,</span> <span class="s1">situated</span> <span class="s1">at</span> <span class="s1">the basis of the revenue and management systems, it allows us to observe the different ways</span> <span class="s1">in</span> <span class="s1">which</span> <span class="s1">they</span> <span class="s1">operated</span> <span class="s1">and</span> <span class="s1">the</span> <span class="s1">competences</span> <span class="s1">exercised.</span> <span class="s1">Specifically,</span> <span class="s1">emphasis</span> <span class="s1">is</span> <span class="s1">placed</span> <span class="s1">on</span> <span class="s1">porters who managed multiple royal incomes and audited their accounts before the <em>Maestre</em></span> <span class="s1"><em>Racional</em></span> <span class="s1">during</span> <span class="s1">periods</span> <span class="s1">of</span> <span class="s1">severe</span> <span class="s1">financial</span> <span class="s1">difficulties.</span> <span class="s1">This</span> <span class="s1">contributes</span> <span class="s1">to</span> <span class="s1">our</span> <span class="s1">understanding</span> <span class="s1">of</span> <span class="s1">revenue</span> <span class="s1">collection</span> <span class="s1">and</span> <span class="s1">management</span> <span class="s1">systems</span> <span class="s1">in</span> <span class="s1">the</span> <span class="s1">Crown</span> <span class="s1">of</span> <span class="s1">Aragon</span> <span class="s1">during</span> <span class="s1">the</span> <span class="s1">pivotal 14th</span> <span class="s1">century</span> <span class="s1">and</span> <span class="s1">sheds</span> <span class="s1">light</span> <span class="s1">on</span> <span class="s1">the</span> <span class="s1"><em>modus</em></span> <span class="s1"><em>operandi</em></span> <span class="s1">of</span> <span class="s1">agents</span> <span class="s1">who</span> <span class="s1">have</span> <span class="s1">received</span> <span class="s1">little</span> <span class="s1">atten- tion</span> <span class="s1">from</span> <span class="s1">historiography,</span> <span class="s1">despite</span> <span class="s1">their</span> <span class="s1">presence</span> <span class="s1">in</span> <span class="s1">all</span> <span class="s1">activities</span> <span class="s1">carried</span> <span class="s1">out</span> <span class="s1">by</span> <span class="s1">the</span> <span class="s1">monarchy.</span></p> Esther Tello Hernández ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 221 241 10.25145/j.cemyr.2025.33.06 The representation of the second-born sons in the Espejo de príncipes y caballeros cycle https://www.ull.es/revistas/index.php/cemyr/article/view/2025-01-B <p class="p1"><span class="s1">In</span> <span class="s1">sixteenth-century</span> <span class="s1">Castilian</span> <span class="s1">romances</span> <span class="s1">of</span> <span class="s1">chivalry,</span> <span class="s1">the</span> <span class="s1">protagonists</span> <span class="s1">are</span> <span class="s1">always</span> <span class="s1">first-born</span> <span class="s1">children</span> <span class="s1">of</span> <span class="s1">noble</span> <span class="s1">blood.</span> <span class="s1">As</span> <span class="s1">in</span> <span class="s1">nobility</span> <span class="s1">outside</span> <span class="s1">of</span> <span class="s1">fiction,</span> <span class="s1">first-born</span> <span class="s1">sons</span> <span class="s1">eventually</span> <span class="s1">inherited</span> <span class="s1">their</span> <span class="s1">parents’</span> <span class="s1">estates, while younger sons enjoyed fewer benefits. In the cycle of <em>Espejo de</em></span> <span class="s1"><em>príncipes</em></span> <span class="s1"><em>y</em></span> <span class="s1"><em>caballeros</em>,</span> <span class="s1">however,</span> <span class="s1">the</span> <span class="s1">second-born</span> <span class="s1">children</span> <span class="s1">have</span> <span class="s1">a</span> <span class="s1">peculiarity:</span> <span class="s1">they</span> <span class="s1">are</span> <span class="s1">twins,</span> <span class="s1">born</span> <span class="s1">only</span> <span class="s1">a</span> <span class="s1">few</span> <span class="s1">moments</span> <span class="s1">after</span> <span class="s1">the</span> <span class="s1">first-born</span> <span class="s1">child.</span> <span class="s1">This</span> <span class="s1">trait</span> <span class="s1">highlights</span> <span class="s1">the</span> <span class="s1">potential</span> <span class="s1">and</span> <span class="s1">qualities of younger siblings.</span> <span class="s1">To show this, the case of the character Rosicler is presented</span> <span class="s1">throughout the three parts of the cycle, since each one was written by a different author,</span> <span class="s1">in different years, which allows us to review a wide range of positions on the subject and&nbsp;</span>compare them with historical data.</p> Maribel Ayala Rodríguez ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 245 261 10.25145/j.cemyr.2025.33.07 The Impact of the Mongol Empire on the Development of Latin Geographical Imagination https://www.ull.es/revistas/index.php/cemyr/article/view/2025-02-B <p class="p1">The title of this article is intended to draw attention to the rapid transformation of Latin geographical thought that took place during the Mongol moment. We will mention its imprint on cartographic science, geostrategic thinking, ecumenical notions of mission and evangelism, and on long-distance trade. However, we will focus on its impact on two key figures in Latin mythology, King David and Prester John. We will look for the origin of this process in the creation by the Mongols of an immense political continuum over most of Eurasia and its effects on an even larger scale on practically the whole of the medieval ecumene. Such a vast empire was built on peculiar notions of circulation and movement directly related to shamanism and the economy of nomadic pastoral peoples. The aim of this paper is to show the transformation of some of the main landmarks of the late medieval Latin geographical imagination as a form of adaptation to this vast and peculiar form of rule&nbsp;achieved by the Mongols.</p> Antonio García Espada ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 263 282 10.25145/j.cemyr.2025.33.08 The Geographical spaces and their perception in early medieval England: https://www.ull.es/revistas/index.php/cemyr/article/view/2025-03-B <p class="p1"><span class="s1">In</span> <span class="s1">this</span> <span class="s1">paper</span> <span class="s1">I</span> <span class="s1">intend</span> <span class="s1">to</span> <span class="s1">shed</span> <span class="s1">light</span> <span class="s1">on</span> <span class="s1">how</span> <span class="s1">geographical</span> <span class="s1">space</span> <span class="s1">was</span> <span class="s1">perceived</span> <span class="s1">and</span> <span class="s1">arranged</span> <span class="s1">in</span> <span class="s1">Anglo-Saxon</span> <span class="s1">England,</span> <span class="s1">particularly</span> <span class="s1">in</span> <span class="s1">the</span> <span class="s1">eleventh</span> <span class="s1">century,</span> <span class="s1">through</span> <span class="s1">a</span> <span class="s1">couple</span> <span class="s1">of</span> <span class="s1">key</span> <span class="s1">texts</span> <span class="s1">from</span> <span class="s1">MS</span> <span class="s1">Cotton</span> <span class="s1">Tiberius</span> <span class="s1">B.v/1</span> <span class="s1">at</span> <span class="s1">the</span> <span class="s1">British</span> <span class="s1">Library</span> <span class="s1">in</span> <span class="s1">London.</span> <span class="s1">The</span> <span class="s1">manuscript</span> <span class="s1">is</span> <span class="s1">a</span> <span class="s1">miscellany</span> <span class="s1">with two</span> <span class="s1">documents</span> <span class="s1">of</span> <span class="s1">geographical</span> <span class="s1">interest:</span> <span class="s1">versions</span> <span class="s1">in</span> <span class="s1">Latin</span> <span class="s1">and</span> <span class="s1">Old</span> <span class="s1">English</span> <span class="s1">of</span> <span class="s1"><em>The</em></span> <span class="s1"><em>Wonders</em></span> <span class="s1"><em>of</em></span> <span class="s1"><em>the</em></span> <span class="s1"><em>East</em></span> <span class="s1">(ff.</span> <span class="s1">78v-97v)</span> <span class="s1">and</span> <span class="s1">a</span> <span class="s1"><em>mappa</em></span> <span class="s1"><em>mundi</em></span> <span class="s1">(f.</span> <span class="s1">56v).</span> <span class="s1">From</span> <span class="s1">the</span> <span class="s1">first</span> <span class="s1">text</span> <span class="s1">we</span> <span class="s1">learn</span> <span class="s1">how</span> <span class="s1">remote</span> <span class="s1">lands were perceived, mainly by means of the creatures that inhabited them: marvellous (<em>mirabilia</em>)</span> <span class="s1">and</span> <span class="s1">legendary</span> <span class="s1">beings.</span> <span class="s1"><em>The</em></span> <span class="s1"><em>Wonders</em></span> <span class="s1"><em>of</em></span> <span class="s1"><em>the</em></span> <span class="s1"><em>East</em></span> <span class="s1">also</span> <span class="s1">makes</span> <span class="s1">reference</span> <span class="s1">to</span> <span class="s1">specific</span> <span class="s1">placenames,</span> <span class="s1">many of</span> <span class="s1">them</span> <span class="s1">made</span> <span class="s1">up,</span> <span class="s1">and</span> <span class="s1">focuses</span> <span class="s1">on</span> <span class="s1">luxurious</span> <span class="s1">descriptions</span> <span class="s1">of</span> <span class="s1">buildings</span> <span class="s1">and</span> <span class="s1">natural</span> <span class="s1">features.</span> <span class="s1">In</span> <span class="s1">contrast,</span> <span class="s1">the</span> <span class="s1"><em>mappa</em></span> <span class="s1"><em>mundi</em></span> <span class="s1">focuses</span> <span class="s1">on</span> <span class="s1">the</span> <span class="s1">known</span> <span class="s1">world</span> <span class="s1">(oecumene),</span> <span class="s1">whose</span> <span class="s1">rivers,</span> <span class="s1">seas,</span> <span class="s1">moun-</span> <span class="s1">tains</span> <span class="s1">and</span> <span class="s1">main</span> <span class="s1">towns</span> <span class="s1">are</span> <span class="s1">systematically</span> <span class="s1">labelled.</span> <span class="s1">In</span> <span class="s1">this</span> <span class="s1">way,</span> <span class="s1">the</span> <span class="s1">Cotton</span> <span class="s1">map</span> <span class="s1">yields</span> <span class="s1">a</span> <span class="s1">first-hand knowledge</span> <span class="s1">of</span> <span class="s1">geographical</span> <span class="s1">space</span> <span class="s1">in</span> <span class="s1">eleventh</span> <span class="s1">century</span> <span class="s1">England.</span> <span class="s1">In</span> <span class="s1">this</span> <span class="s1">context,</span> <span class="s1">the</span> <span class="s1">relevance</span> <span class="s1">of northern</span> <span class="s1">Germania,</span> <span class="s1">Scandinavia</span> <span class="s1">and,</span> <span class="s1">especially,</span> <span class="s1">Great</span> <span class="s1">Britain</span> <span class="s1">and</span> <span class="s1">Ireland</span> <span class="s1">must</span> <span class="s1">be</span> <span class="s1">highlighted.</span></p> Juan Camilo Conde-Silvestre ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 285 314 10.25145/j.cemyr.2025.33.09 Il dossier agiografico di Lorenzo vescovo di Siponto: https://www.ull.es/revistas/index.php/cemyr/article/view/2025-04-B <p class="p1"><span class="s1">Este</span> <span class="s1">trabajo tiene</span> <span class="s1">en</span> <span class="s1">cuenta</span> <span class="s1">el</span> <span class="s1">florecimiento</span> <span class="s1">del</span> <span class="s1">dosier</span> <span class="s1">hagiográfico</span> <span class="s1">de</span> <span class="s1">Lorenzo,</span> <span class="s1">obispo</span> <span class="s1">de Siponto, que se enriquece con nuevas anécdotas a partir de la segunda mitad del siglo xvii. La</span> <span class="s1">acción</span> <span class="s1">pastoral</span> <span class="s1">del</span> <span class="s1">obispo</span> <span class="s1">y</span> <span class="s1">su</span> <span class="s1">carisma</span> <span class="s1">son</span> <span class="s1">utilizados</span> <span class="s1">con</span> <span class="s1">éxito</span> <span class="s1">por</span> <span class="s1">las</span> <span class="s1">instituciones</span> <span class="s1">civi- les</span> <span class="s1">y</span> <span class="s1">eclesiásticas</span> <span class="s1">locales.</span> <span class="s1">Solo</span> <span class="s1">muy</span> <span class="s1">tarde,</span> <span class="s1">la</span> <span class="s1">efigie</span> <span class="s1">de</span> <span class="s1">la Virgen</span> <span class="s1">de</span> <span class="s1">Siponto,</span> <span class="s1">considerada</span> <span class="s1">un</span> <span class="s1">producto</span> <span class="s1">de</span> <span class="s1">la</span> <span class="s1">época</span> <span class="s1">apostólica,</span> <span class="s1">fue</span> <span class="s1">atribuida</span> <span class="s1">a</span> <span class="s1">un</span> <span class="s1">regalo</span> <span class="s1">de</span> <span class="s1">Lorenzo,</span> <span class="s1">hecho</span> <span class="s1">a</span> <span class="s1">favor</span> <span class="s1">de</span> <span class="s1">su diócesis.</span> <span class="s1">En</span> <span class="s1">sentido,</span> <span class="s1">analizamos</span> <span class="s1">las</span> <span class="s1">cuestiones</span> <span class="s1">políticas</span> <span class="s1">implícitas</span> <span class="s1">en</span> <span class="s1">la</span> <span class="s1">evocación</span> <span class="s1">del</span> <span class="s1">santo</span> <span class="s1">y</span> <span class="s1">los</span> <span class="s1">múltiples</span> <span class="s1">problemas</span> <span class="s1">vinculados</span> <span class="s1">al</span> <span class="s1">intento</span> <span class="s1">de</span> <span class="s1">revisión</span> <span class="s1">histórica</span> <span class="s1">realizada</span> <span class="s1">por</span> <span class="s1">las</span> <span class="s1">entidades&nbsp;</span>en los alrededores de Siponto y Manfredonia.</p> Antonio Pio Di Cosmo ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 315 345 10.25145/j.cemyr.2025.33.10 The Libro del conocimiento de todos los reinos, twenty five years on (1999-2024) https://www.ull.es/revistas/index.php/cemyr/article/view/2025-05-B <p class="p1"><span class="s1">The</span> <span class="s1">article</span> <span class="s1">reviews</span> <span class="s1">the</span> <span class="s1">main</span> <span class="s1">contributions</span> <span class="s1">on</span> <span class="s1">the</span> <span class="s1"><em>The</em></span> <span class="s1"><em>Book</em></span> <span class="s1"><em>of</em></span> <span class="s1"><em>Knowledge</em></span> <span class="s1"><em>of</em></span> <span class="s1"><em>All</em></span> <span class="s1"><em>Kingdoms</em></span> <span class="s1">from</span> <span class="s1">1999,</span> <span class="s1">when</span> <span class="s1">it</span> <span class="s1">was</span> <span class="s1">reissued</span> <span class="s1">simultaneously</span> <span class="s1">in</span> <span class="s1">two</span> <span class="s1">editions,</span> <span class="s1">to</span> <span class="s1">the</span> <span class="s1">present</span> <span class="s1">day,</span> <span class="s1">with</span> <span class="s1">special attention</span> <span class="s1">to</span> <span class="s1">the</span> <span class="s1">Canary</span> <span class="s1">Islands</span> <span class="s1">and</span> <span class="s1"><em>Le</em></span> <span class="s1"><em>Canarien</em>.</span> <span class="s1">In</span> <span class="s1">contrast</span> <span class="s1">to</span> <span class="s1">19th-century</span> <span class="s1">criticism,</span> <span class="s1">the</span> <span class="s1">current</span> <span class="s1">bibliography</span> <span class="s1">is</span> <span class="s1">less</span> <span class="s1">concerned</span> <span class="s1">with</span> <span class="s1">the</span> <span class="s1">authenticity</span> <span class="s1">of</span> <span class="s1">the</span> <span class="s1">narration</span> <span class="s1">and</span> <span class="s1">the</span> <span class="s1">iden-</span> <span class="s1">tity</span> <span class="s1">of</span> <span class="s1">the</span> <span class="s1">author,</span> <span class="s1">although</span> <span class="s1">erroneous</span> <span class="s1">information</span> <span class="s1">is</span> <span class="s1">sometimes</span> <span class="s1">repeated.</span> <span class="s1">Today,</span> <span class="s1">critics</span> <span class="s1">are more interested in the conception of space, the relationship with other travel books and the</span> <span class="s1">perception</span> <span class="s1">of</span> <span class="s1">the</span> <span class="s1">Orient.</span> <span class="s1">Finally,</span> <span class="s1">the</span> <span class="s1">work</span> <span class="s1">focuses</span> <span class="s1">on</span> <span class="s1">the</span> <span class="s1">illustrated</span> <span class="s1">book</span> <span class="s1"><em>Le</em></span> <span class="s1"><em>frère</em></span> <span class="s1"><em>mendiant</em>,&nbsp;</span><span class="s7">which</span> <span class="s7">includes</span> <span class="s7">extracts</span> <span class="s7">from</span> <span class="s7"><em>The</em></span> <span class="s7"><em>Book</em></span> <span class="s7"><em>of</em></span> <span class="s7"><em>Knowledge</em></span> <span class="s7">and</span> <span class="s7">drawings</span> <span class="s7">by</span> <span class="s7">Pablo</span> <span class="s7">Picasso.</span></p> María Jesús Lacarra Ducay ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 347 362 10.25145/j.cemyr.2025.33.11 O ataque de Nuno Fernandes de Ataíde, capitão de Safim, ao castelo do “mouro sancto” https://www.ull.es/revistas/index.php/cemyr/article/view/2025-06-B <p class="p1"><span class="s1">Conhecido</span> <span class="s1">pelos</span> <span class="s1">seus</span> <span class="s1">contemporâneos</span> <span class="s1">como</span> <span class="s1"><em>nunca</em></span> <span class="s1"><em>esta</em></span> <span class="s1"><em>quedo</em>,</span> <span class="s1">o</span> <span class="s1">capitão</span> <span class="s1">de</span> <span class="s1">Safim Nuno</span> <span class="s1">Fernandes</span> <span class="s1">de</span> <span class="s1">Ataíde</span> <span class="s1">foi</span> <span class="s1">uma</span> <span class="s1">figura</span> <span class="s1">da</span> <span class="s1">Expansão</span> <span class="s1">Portuguesa</span> <span class="s1">temida</span> <span class="s1">e</span> <span class="s1">respeitada</span> <span class="s1">por</span> <span class="s1">cristãos,</span> <span class="s1">judeus</span> <span class="s1">e</span> <span class="s1">muçulmanos.</span> <span class="s1">Responsável</span> <span class="s1">pela</span> <span class="s1">constituição</span> <span class="s1">de</span> <span class="s1">um</span> <span class="s1">protectorado</span> <span class="s1">de</span> <span class="s1"><em>mouros</em></span> <span class="s1"><em>de</em></span> <span class="s1"><em>pazes</em></span> <span class="s1">no</span> <span class="s1">sul</span> <span class="s1">marroquino,</span> <span class="s1">a</span> <span class="s1">sua</span> <span class="s1">capitania,</span> <span class="s1">entre</span> <span class="s1">1510</span> <span class="s1">e</span> <span class="s1">1516,</span> <span class="s1">correspondeu</span> <span class="s1">ao</span> <span class="s1">apogeu</span> <span class="s1">da</span> <span class="s1">presença</span> <span class="s1">militar</span> <span class="s1">portuguesa</span> <span class="s1">no</span> <span class="s1">Norte</span> <span class="s1">de</span> <span class="s1">África,</span> <span class="s1">quando</span> <span class="s1">numa</span> <span class="s1">série</span> <span class="s1">de</span> <span class="s1">campanhas</span> <span class="s1">vitoriosas</span> <span class="s1">conduziu as</span> <span class="s1">armas</span> <span class="s1">lusas</span> <span class="s1">até</span> <span class="s1">às</span> <span class="s1">portas</span> <span class="s1">de</span> <span class="s1">Marraquexe</span> <span class="s1">e</span> <span class="s1">ao</span> <span class="s1">Grande</span> <span class="s1">Atlas.</span> <span class="s1">É</span> <span class="s1">nesse</span> <span class="s1">sentido</span> <span class="s1">que,</span> <span class="s1">utilizando uma</span> <span class="s1">metodologia</span> <span class="s1">de</span> <span class="s1">trabalho</span> <span class="s1">baseada</span> <span class="s1">no</span> <span class="s1">confronto</span> <span class="s1">das</span> <span class="s1">informações</span> <span class="s1">facultadas</span> <span class="s1">pela</span> <span class="s1">cronística</span> <span class="s1">e</span> <span class="s1">pela</span> <span class="s1">bibliografia</span> <span class="s1">contemporânea,</span> <span class="s1">o</span> <span class="s1">presente</span> <span class="s1">artigo</span> <span class="s1">pretende</span> <span class="s1">abordar</span> <span class="s1">uma</span> <span class="s1">expedição</span> <span class="s1">militar nunca</span> <span class="s1">antes</span> <span class="s1">sujeita</span> <span class="s1">a</span> <span class="s1">apreciação</span> <span class="s1">crítica:</span> <span class="s1">o</span> <span class="s1">ataque</span> <span class="s1">ao</span> <span class="s1">castelo</span> <span class="s1">do</span> <span class="s1"><em>mouro</em></span> <span class="s1"><em>sancto</em>,</span> <span class="s1">ocorrido</span> <span class="s1">em</span> <span class="s1">1510.</span></p> Fernando Pessanha ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 363 383 10.25145/j.cemyr.2025.33.12 The Reception of Thomas More’s Utopia in 16th Century Treatises: https://www.ull.es/revistas/index.php/cemyr/article/view/2025-07-B <p class="p1"><span class="s1">More than thirty unknown or very little-known references to the <em>Utopia </em>of</span> <span class="s1">Thomas More</span> <span class="s1">in texts from the 16th century are brought together, accompanied by some brief notes for</span> <span class="s1">their contextualization. Most citations come either from mentions of classical or humanist</span> <span class="s1">authors</span> <span class="s1">or</span> <span class="s1">questions</span> <span class="s1">of</span> <span class="s1">a</span> <span class="s1">legal-political</span> <span class="s1">or</span> <span class="s1">political-theological</span> <span class="s1">nature</span> <span class="s1">and</span> <span class="s1">serve</span> <span class="s1">as</span> <span class="s1">an</span> <span class="s1">incen</span>tive for new research.</p> Rafael Ramis Barceló ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 385 404 10.25145/j.cemyr.2025.33.13 Al-Andalus in the Imaginary Geography of Persa Al-Qazwīnī (13th c.) https://www.ull.es/revistas/index.php/cemyr/article/view/2025-08-B <p class="p1"><span class="s1">The</span> <span class="s1">Persian</span> <span class="s1">scholar</span> <span class="s1">al-Qazwīnī</span> <span class="s1">authored</span> <span class="s1">the</span> <span class="s1"><em>Kitāb</em></span> <span class="s1"><em>āṯār</em></span> <span class="s1"><em>al-bilād</em></span> <span class="s1"><em>wa</em></span> <span class="s1"><em>ajbār</em></span> <span class="s1"><em>al-ʿibād</em></span> <span class="s1">in</span> <span class="s1">the</span> <span class="s1">13th</span> <span class="s1">century,</span> <span class="s1">an</span> <span class="s1">encyclopedic</span> <span class="s1">work</span> <span class="s1">that</span> <span class="s1">pays</span> <span class="s1">special</span> <span class="s1">attention</span> <span class="s1">to</span> <span class="s1">the</span> <span class="s1">Andalusian</span> <span class="s1">territory.</span> <span class="s1">Al-Qazwīnī</span> <span class="s1">explored</span> <span class="s1">this</span> <span class="s1">region</span> <span class="s1">from</span> <span class="s1">an</span> <span class="s1">Eastern</span> <span class="s1">perspective,</span> <span class="s1">drawing</span> <span class="s1">on</span> <span class="s1">accounts</span> <span class="s1">from</span> <span class="s1">earlier</span> <span class="s1">authors</span> <span class="s1">and</span> <span class="s1">describing</span> <span class="s1">more</span> <span class="s1">than</span> <span class="s1">thirty</span> <span class="s1">cities.</span> <span class="s1">In</span> <span class="s1">his</span> <span class="s1">depiction,</span> <span class="s1">he</span> <span class="s1">notably</span> <span class="s1">employed</span> <span class="s1">the</span> <span class="s1">genre</span> <span class="s1">dedicated</span> <span class="s1">to</span> <span class="s1">the</span> <span class="s1">representation</span> <span class="s1">of</span> <span class="s1">wonders</span> <span class="s1">or</span> <span class="s1"><em>ʿajāʾib</em>. This</span> <span class="s1">study</span> <span class="s1">examines</span> <span class="s1">the</span> <span class="s1">cultural</span> <span class="s1">and</span> <span class="s1">literary</span> <span class="s1">context</span> <span class="s1">of</span> <span class="s1">his</span> <span class="s1">work,</span> <span class="s1">the</span> <span class="s1">genre</span> <span class="s1">that</span> <span class="s1">defines</span> <span class="s1">it,</span> <span class="s1">and</span> <span class="s1">the</span> <span class="s1">marvelous</span> <span class="s1">stories</span> <span class="s1">that</span> <span class="s1">shape</span> <span class="s1">his</span> <span class="s1">narrative.</span> <span class="s1">It</span> <span class="s1">presents</span> <span class="s1">an</span> <span class="s1">imaginative</span> <span class="s1">geography</span> <span class="s1">centered</span> <span class="s1">on</span> <span class="s1">a</span> <span class="s1">land</span> <span class="s1">of</span> <span class="s1">cities</span> <span class="s1">abundant</span> <span class="s1">in</span> <span class="s1">water,</span> <span class="s1">natural</span> <span class="s1">wealth,</span> <span class="s1">and</span> <span class="s1">landscapes</span> <span class="s1">of</span> <span class="s1">exceptional</span> <span class="s1">productivity</span> <span class="s1">and</span> <span class="s1">beauty.</span></p> Fátima Roldán Castro ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 405 424 10.25145/j.cemyr.2025.33.14 The architectural paintings of Santa María de la Oliva de Lebrija in the transit from the Meddle Ages to the Modern https://www.ull.es/revistas/index.php/cemyr/article/view/2025-09-B <p class="p1"><span class="s1">An</span> <span class="s1">important</span> <span class="s1">construction</span> <span class="s1">work</span> <span class="s1">was</span> <span class="s1">carried</span> <span class="s1">out</span> <span class="s1">in</span> <span class="s1">the</span> <span class="s1">Church</span> <span class="s1">of</span> <span class="s1">Santa</span> <span class="s1">María</span> <span class="s1">de</span> <span class="s1">la</span> <span class="s1">Oliva</span> <span class="s1">in</span> <span class="s1">Lebrija</span> <span class="s1">(Seville)</span> <span class="s1">between</span> <span class="s1">1475</span> <span class="s1">and</span> <span class="s1">1521.</span> <span class="s1">This</span> <span class="s1">intervention</span> <span class="s1">added</span> <span class="s1">cloisters</span> <span class="s1">and</span> <span class="s1">a</span> <span class="s1">new</span> <span class="s1">apse</span> <span class="s1">to</span> <span class="s1">the</span> <span class="s1">building,</span> <span class="s1">though</span> <span class="s1">the</span> <span class="s1">apse</span> <span class="s1">was</span> <span class="s1">later</span> <span class="s1">transformed</span> <span class="s1">into</span> <span class="s1">its</span> <span class="s1">current</span> <span class="s1">form.</span> <span class="s1">At</span> <span class="s1">this</span> <span class="s1">juncture,</span> <span class="s1">an</span> <span class="s1">ambitious</span> <span class="s1">set</span> <span class="s1">of</span> <span class="s1">architectural</span> <span class="s1">paintings</span> <span class="s1">was</span> <span class="s1">deployed</span> <span class="s1">inside</span> <span class="s1">the</span> <span class="s1">Church,</span> <span class="s1">a</span> <span class="s1">set</span> <span class="s1">which</span> <span class="s1">is</span> <span class="s1">poorly</span> <span class="s1">preserved</span> <span class="s1">but</span> <span class="s1">richly</span> <span class="s1">documented</span> <span class="s1">by</span> <span class="s1">unpublished</span> <span class="s1">documents.</span> <span class="s1">The</span> <span class="s1">analysis</span> <span class="s1">of</span> <span class="s1">both</span> <span class="s1">sources</span> <span class="s1">will</span> <span class="s1">allow</span> <span class="s1">for</span> <span class="s1">the</span> <span class="s1">retrieval</span> <span class="s1">of</span> <span class="s1">the</span> <span class="s1">original</span> <span class="s1">temple’s</span> <span class="s1">image,</span> <span class="s1">as</span> <span class="s1">well</span> <span class="s1">as</span> <span class="s1">the</span> <span class="s1">rec</span><span class="s1">reation</span> <span class="s1">of</span> <span class="s1">the</span> <span class="s1">practice</span> <span class="s1">of</span> <span class="s1">fresco</span> <span class="s1">painters</span> <span class="s1">and</span> <span class="s1">gilders</span> <span class="s1">in</span> <span class="s1">the</span> <span class="s1">Kingdom</span> <span class="s1">of</span> <span class="s1">Seville.</span> <span class="s1">Even</span> <span class="s1">though</span> <span class="s1">these</span> <span class="s1">professionals</span> <span class="s1">followed</span> <span class="s1">the</span> <span class="s1">Hispano-Muslim</span> <span class="s1">artistic</span> <span class="s1">principles,</span> <span class="s1">they</span> <span class="s1">were</span> <span class="s1">receptive</span> <span class="s1">to&nbsp;</span>incorporating late Gothic and early Renaissance repertoires.</p> Álvaro Sáenz Rodríguez ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 425 459 10.25145/j.cemyr.2025.33.15 Geographies of the Quest: https://www.ull.es/revistas/index.php/cemyr/article/view/2025-10-B <p class="p1">In the present work we propose a reflection on the way in which space is constructed within the narrative, more particularly within the framework of one of its key structuring schemes, the quest. We will illustrate our purpose through two works that correspond to two key moments in the development of narrative in France, in which we propose to identify a kind of symbolic geography. The first of them is <em>The</em> <em>Tale</em> <em>of</em> <em>the</em> <em>Grail</em>, created by Chrétien de Troyes at the end of the 12th century: Perceval, locked in an isolated land –wasteland–, undertakes a quest in which he does not seem able to escape its negative influence, until finally encountering its beneficial and restorative face. In a second moment we will move to the 16th century, to focus on Rabelais and the founding action of his heroes, shown through his dialogue with different spaces that the giant rescues from his sterility. However, in his last works, <em>The</em> <em>Fourth</em> <em>Book</em>, in which Pantagruel and his people set out in search of answers to Panurge’s doubts, they appear only as spectators of a succession of deformed territories without being able to regenerate them.</p> María Pilar Suárez Pascual ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 461 485 10.25145/j.cemyr.2025.33.16 Arias Guillén, Fernando, Las cruzadas. La guerra santa cristiana. https://www.ull.es/revistas/index.php/cemyr/article/view/2025-01-C <p>Review of&nbsp;Arias Guillén, Fernando, <em>Las cruzadas. La&nbsp;guerra santa cristiana</em>. Madrid, Catarata, 2024,&nbsp;176 pp. ISBN: 978-84-1352-902-8.</p> Vicent Royo Pérez ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 487 489 10.25145/j.cemyr.2025.33.17 Baydal Sala, Vicent y Esquilache Martí, Ferrán (eds.), La herencia reconstruida. Crecimiento agrario y transformaciones del paisaje tras las con- quistas de al-Ándalus (siglos XII-XVI). https://www.ull.es/revistas/index.php/cemyr/article/view/2025-02-C <p>Review of&nbsp;<span class="s1">Baydal</span> <span class="s1">Sala,</span> <span class="s1">Vicent</span> <span class="s1">y</span> <span class="s1">Esquilache</span> <span class="s1">Martí,</span> <span class="s1">Ferrán</span> <span class="s1">(eds.),</span> <span class="s1"><em>La</em></span> <span class="s1"><em>herencia</em></span> <span class="s1"><em>reconstruida.</em></span> <span class="s1"><em>Crecimiento</em></span> <span class="s1"><em>agrario y transformaciones del paisaje tras las con- quistas</em></span> <span class="s1"><em>de</em></span> <span class="s1"><em>al-Ándalus</em></span> <span class="s1"><em>(siglos</em></span> <span class="s5"><em>xii</em></span><span class="s1"><em>-</em></span><span class="s5"><em>xvi</em></span><span class="s1"><em>)</em>.</span> <span class="s1">Castelló</span> <span class="s1">de la Plana, Publicacions de la Universitat Jaume I,&nbsp;</span>2023, 352 pp. ISBN: 978-84-19647-03-0.</p> Vicent Royo Pérez ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 490 493 10.25145/j.cemyr.2025.33.18 Cabezuelo Pliego, José Vicente, Formación y declive del estado señorial de Bernat de Sarrià en el Reino de Valencia (finales del siglo XIII-1335). https://www.ull.es/revistas/index.php/cemyr/article/view/2025-03-C <p>Review of&nbsp;<span class="s1">Cabezuelo</span> <span class="s1">Pliego,</span> <span class="s1">José Vicente,</span> <span class="s1"><em>Formación</em></span> <span class="s1"><em>y</em></span> <span class="s1"><em>declive</em></span> <span class="s1"><em>del</em></span> <span class="s1"><em>estado</em></span> <span class="s1"><em>señorial</em></span> <span class="s1"><em>de</em></span> <span class="s1"><em>Bernat</em></span> <span class="s1"><em>de</em></span> <span class="s1"><em>Sarrià</em></span> <span class="s1"><em>en</em></span> <span class="s1"><em>el</em></span> <span class="s1"><em>Reino</em></span> <span class="s1"><em>de</em></span> <span class="s1"><em>Valencia</em></span> <span class="s1"><em>(finales</em></span> <span class="s1"><em>del</em></span> <span class="s1"><em>siglo</em></span>&nbsp;<em>XIII</em><span class="s1"><em>-1335)</em>.</span> <span class="s1">Ane-</span> <span class="s1">jos</span> <span class="s1">del</span> <span class="s1">Anuario</span> <span class="s1">de</span> <span class="s1">Estudios</span> <span class="s1">Medievales.</span> <span class="s1">Madrid, Consejo</span> <span class="s1">Superior</span> <span class="s1">de</span> <span class="s1">Investigaciones</span> <span class="s1">Científicas,&nbsp;</span>2023, 328 pp. ISBN 978-84-00-11171-7.</p> Pere González Alerm ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 494 497 10.25145/j.cemyr.2025.33.19 Forbus, Jason R., Vikingos. Entre la historia y la leyenda. https://www.ull.es/revistas/index.php/cemyr/article/view/2025-04-C <p>Review of&nbsp;&nbsp;<span class="s1">Forbus,</span> <span class="s1">Jason</span> <span class="s1">R.,</span> <span class="s1"><em>Vikingos.</em></span> <span class="s1"><em>Entre</em></span> <span class="s1"><em>la</em></span> <span class="s1"><em>historia</em></span> <span class="s1"><em>y</em></span> <span class="s1"><em>la</em></span> <span class="s1"><em>leyenda</em>.</span> <span class="s1">Gaeta,</span> <span class="s1">Ventus</span> <span class="s1">Press,</span> <span class="s1">2024,</span> <span class="s1">89</span> <span class="s1">pp.</span> <span class="s1">ISBN&nbsp;</span><span class="s1">979-12-5633-048-5.</span></p> Kevin Rodríguez Wittmann ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 498 499 10.25145/j.cemyr.2025.33.20 González Rolán, Tomás y López Fonseca, Antonio, Sobre la igualdad de los judeoconversos. Estudio, edición crítica y traducción del Defensorium unitatis christianae de Alfonso de Cartagena. https://www.ull.es/revistas/index.php/cemyr/article/view/2025-05-C <p>Review of&nbsp;<span class="s1">González</span> <span class="s1">Rolán,</span> <span class="s1">Tomás</span> <span class="s1">y</span> <span class="s1">López</span> <span class="s1">Fonseca, Antonio,</span> <span class="s1"><em>Sobre</em></span> <span class="s1"><em>la</em></span> <span class="s1"><em>igualdad</em></span> <span class="s1"><em>de</em></span> <span class="s1"><em>los</em></span> <span class="s1"><em>judeoconversos</em>. <em>Estudio, edición crítica y traducción del </em>Defenso- rium</span> <span class="s1">unitatis</span> <span class="s1">christianae</span> <span class="s1"><em>de</em></span> <span class="s1"><em>Alfonso</em></span> <span class="s1"><em>de</em></span> <span class="s1"><em>Cartagena</em>. Madrid,</span> <span class="s1">Guillermo</span> <span class="s1">Escolar</span> <span class="s1">Editor,</span> <span class="s1">2023,</span> <span class="s1">677</span> <span class="s1">pp.&nbsp;</span>ISBN 978-84-19782-35-9.</p> Jesús Bermúdez Ramiro ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 500 503 10.25145/j.cemyr.2025.33.21 De Estridón, Jerónimo, Tres vidas en el desierto (Silvia Acerbi, trad.). https://www.ull.es/revistas/index.php/cemyr/article/view/2025-06-C <p>Review of&nbsp;De Estridón, Jerónimo, <em>Tres</em> <em>vidas</em> <em>en</em> <em>el</em> <em>desierto&nbsp;</em>(Silvia Acerbi, trad.). Madrid, Editorial Trotta,&nbsp;2023, 144 pp. ISBN 978-84-1364-195-9.</p> Pablo Ignacio Sepúlveda López ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 504 507 10.25145/j.cemyr.2025.33.22 Marignolli, Giovanni de, Relatio. Un frate francescano nella Cina e nell’India del XIV secolo (Paola Mocella, notas y trad.; Irene Malfatto, texto crítico). https://www.ull.es/revistas/index.php/cemyr/article/view/2025-07-C <p>Review of&nbsp;&nbsp;Marignolli, Giovanni de, <em>Relatio.</em> <em>Un</em> <em>frate</em> <em>francescano</em> <em>nella</em> <em>Cina</em> <em>e</em> <em>nell’India</em> <em>del </em><span class="s5"><em>xiv</em></span> <em>secolo</em> (Paola Mocella, notas y trad.; Irene Malfatto, texto crítico). Pisa, Pacini Editore, 2022, 142 pp.&nbsp;ISBN: 979-12-5486-126-4.</p> José Miguel de Toro Vial ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 508 510 10.25145/j.cemyr.2025.33.23 González Nieto, Diego, Alfonso de Fonseca y Ulloa: la Casa de un arzobispo de Sevilla en el siglo XV. https://www.ull.es/revistas/index.php/cemyr/article/view/2025-08-C <p>Review of González Nieto, Diego, <em>Alfonso</em> <em>de</em> <em>Fonseca</em> <em>y</em> <em>Ulloa: la</em> <em>Casa de un arzobispo de</em> <em>Sevilla</em> <em>en</em> <em>el</em> <em>siglo</em> <span class="s6"><em>xv</em></span>. Madrid, Dykinson, 2023, 337 pp. ISBN:&nbsp;<span class="s1">978-84-1170-696-4.</span></p> María José Cañizares Gómez ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 511 513 10.25145/j.cemyr.2025.33.24 Grybauskas, Peter (ed.), Tolkien J.R.R. La Batalla de Maldon junto con El regreso de Beorhtnoth (Jorge Luis Bueno Alonso, trad.). https://www.ull.es/revistas/index.php/cemyr/article/view/2025-09-C <p>Review of&nbsp;<span class="s1">Grybauskas,</span> <span class="s1">Peter</span> <span class="s1">(ed.),</span> <span class="s1"><em>Tolkien</em></span> <span class="s1"><em>J.R.R.</em></span> <span class="s1"><em>La</em></span> <span class="s1"><em>Batalla de</em></span> <span class="s1"><em>Maldon</em></span> <span class="s1"><em>junto</em></span> <span class="s1"><em>con</em></span> <span class="s1"><em>El</em></span> <span class="s1"><em>regreso</em></span> <span class="s1"><em>de</em></span> <span class="s1"><em>Beorhtnoth</em></span> <span class="s1">(Jorge</span> <span class="s1">Luis</span> <span class="s1">Bueno</span> <span class="s1">Alonso,</span> <span class="s1">trad.).</span> <span class="s1">Barcelona,</span> <span class="s1">Minotauro,&nbsp;</span>2023, 246 pp. ISBN: 978-84-450-1504-9.</p> Walter Yared Armas Cáceres ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 514 515 10.25145/j.cemyr.2025.33.25 Jiménez Moreno, Arturo, La incorporación de la mujer a la cultura escrita en el siglo xv: análisis contextual y censo de lectoras en Aragón, Castilla y Portugal. https://www.ull.es/revistas/index.php/cemyr/article/view/2025-10-C <p>Review of&nbsp;<span class="s1">Jiménez</span> <span class="s1">Moreno,</span> <span class="s1">Arturo,</span> <span class="s1"><em>La</em></span> <span class="s1"><em>incorporación</em></span> <span class="s1"><em>de</em></span> <span class="s1"><em>la</em></span> <span class="s1"><em>mujer</em></span> <span class="s1"><em>a</em></span> <span class="s1"><em>la</em></span> <span class="s1"><em>cultura</em></span> <span class="s1"><em>escrita</em></span> <span class="s1"><em>en</em></span> <span class="s1"><em>el</em></span> <span class="s1"><em>siglo</em></span> <span class="s5"><em>xv</em></span><span class="s1"><em>:</em></span> <span class="s1"><em>análisis</em></span> <span class="s1"><em>contextual y censo de lectoras en Aragón, Castilla</em></span> <span class="s1"><em>y</em></span> <span class="s1"><em>Portugal</em>.</span> <span class="s1">Salamanca,</span> <span class="s1">Ediciones</span> <span class="s1">Universidad</span> <span class="s1">de</span> <span class="s1">Salamanca,</span> <span class="s1">2023,</span> <span class="s1">639</span> <span class="s1">pp.</span> <span class="s1">ISBN:</span> <span class="s1">978-84-</span><span class="s1">1311-854-3.</span></p> Jara de Domingo Murillo ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 516 518 10.25145/j.cemyr.2025.33.26 Martín Pascual, Llúcia, Bestiari medieval. https://www.ull.es/revistas/index.php/cemyr/article/view/2025-11-C <p>Review of Martín Pascual, Llúcia, <em>Bestiari</em> <em>medieval</em>. Bar- celona, Editorial Barcino, 2022, 212 pp. ISBN&nbsp;<span class="s3">978-84-7226-905-7.</span></p> Núria Pacheco Catalán ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 519 520 10.25145/j.cemyr.2025.33.27 Ramírez, Janina, Fémina. Una nueva historia de la Edad Media a través de las mujeres. https://www.ull.es/revistas/index.php/cemyr/article/view/2025-12-C <p>Review of&nbsp;<span class="s1">Ramírez,</span> <span class="s1">Janina,</span> <span class="s1"><em>Fémina.</em></span> <span class="s1"><em>Una</em></span> <span class="s1"><em>nueva</em></span> <span class="s1"><em>historia</em></span> <span class="s1"><em>de</em></span> <span class="s1"><em>la Edad Media a través de las mujeres</em>. Barcelona,</span> <span class="s1">Editorial</span> <span class="s1">Ático</span> <span class="s1">de</span> <span class="s1">los</span> <span class="s1">Libros,</span> <span class="s1">2022,</span> <span class="s1">460</span> <span class="s1">pp.</span> <span class="s1">ISBN&nbsp;</span><span class="s4">978-84-18217-70-8.</span></p> Marina Valls Bonet ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 521 524 10.25145/j.cemyr.2025.33.28 Ríos Rodríguez, María Luz, Mujer, vida y memoria en la Compostela medieval. https://www.ull.es/revistas/index.php/cemyr/article/view/2025-13-C <p>Review of&nbsp;<span class="s1">Ríos</span> <span class="s1">Rodríguez,</span> <span class="s1">María</span> <span class="s1">Luz,</span> <span class="s1"><em>Mujer,</em></span> <span class="s1"><em>vida</em></span> <span class="s1"><em>y</em></span> <span class="s1"><em>memo-</em></span> <span class="s1"><em>ria</em></span> <span class="s1"><em>en</em></span> <span class="s1"><em>la</em></span> <span class="s1"><em>Compostela</em></span> <span class="s1"><em>medieval</em>.</span> <span class="s1">Santiago</span> <span class="s1">de</span> <span class="s1">Com-</span> <span class="s1">postela,</span> <span class="s1">Universidade</span> <span class="s1">de</span> <span class="s1">Santiago</span> <span class="s1">de</span> <span class="s1">Compostela,&nbsp;</span>2023, 158 pp. ISBN: 978-84-1967-962-8.</p> Mariña Bermúdez Beloso ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 525 527 10.25145/j.cemyr.2025.33.29 Roca Cabau, Guillem, Les olors de la Lleida medieval. Salubritat y salut pública entre els segles XIII i XV https://www.ull.es/revistas/index.php/cemyr/article/view/2025-14-C <p>Review of&nbsp;<span class="s1">Roca Cabau, Guillem, <em>Les olors de la Lleida medieval. Salubritat y salut pública entre els segles XIII i XV</em></span><span class="s1">.</span> <span class="s1">Lérida,</span> <span class="s1">Universitat</span> <span class="s1">de</span> <span class="s1">Lleida,</span> <span class="s1">2023,</span> <span class="s1">224</span> <span class="s1">pp.</span> <span class="s1">ISBN:</span> <span class="s1">978-84-9144-415-2.</span></p> Raúl Villagrasa-Elías ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 2025-02-22 2025-02-22 33 528 530 10.25145/j.cemyr.2025.33.30