The representation of latino immigration in the musical of the United States of America: West Side Story and In The Heights
Abstract
In a country founded by European emigrants, where the migratory flux has never stopped since the first settlers arrived in the 17th Century, the immigration coming from far beyond Río Grande has always been considered as invading. Through musicals like West Side Story (1957) and In the Heights (2007), we will analyze the change of paradigm of the Latino immigration as portrait in the American musical.
The originals published in Latente are property of their respective authors, who grant to the magazine the right of first publication of the texts and their lodging in other web portals in order to guarantee their preservation and a greater diffusion. Article contents are subject to a CC BY-NC-SA license.
