The lion is not as it is drawn: lions in etching
Keywords:
Engraving, carving, nitric acid, bolt driver, lion, Alberto Durero, Rembrandt van Rijn, Giovanni Battista Piranesi, 16th-17th-18th century art, Saint JeromeAbstract
Considerations on the different ways of representing the lion in etching through the work of three distinguished artists in this technique: Durero, Rembrandt and Piranesi. Differences between cultural representation codes are established and those of other naturalists who find that knowledge of the animal’s natural form is fundamental.
References
BEVERS, Holm, SCHATBORN, PETER y WELZEL, Barbara, Rembrandt. Il maestro e la sua bottega. Disegni e incisione, Leonardo-De Luca, Roma, 1991.
BROOS, Ben, «Rembrandt and his picturesque universe. The artists collection as source of inspiration» en Bob van den Boogert (ed.), Rembrandt’s treasures, Waanders-Rembrandt House Museum, Zwollw-Amsterdam, 1999, pp. 106-109.
DI VITA, Antonino, DI VITA-EVRARD, Ginette y BACCHIELLI, Lidiano, Libia antigua. Ciudades perdidas del Imperio Romano, Könemann, Colonia, 1999. —— El Fisiólogo. Bestiario medieval, pról. Juli Peradejordi, Obelisco, Barcelona, 2000.
FICACCI, Luigi, Piranesi, The Complete Etchings, Taschen, Roma, 2000.
HIND, Arthur M., A History of engraving and etching from the 15th century to the year 1914, Dover, New York, 1963.
HUIDOBRO, Concha, Grabados alemanes de la Biblioteca Nacional (siglos XV -XVI), 2 vols., Electa-Biblioteca Nacional, Madrid, 1997.
IMPELLUSO, Lucia, La naturaleza y sus símbolos. Plantas, flores y animales, Electa, Barcelona, 2003.
LO BIANCO, Anna, «Piranesi y la Roma de su tiempo» en Giovanni Piranesi. Estampas do Gabinetto delle Stampe e dei Disegni da Biblioteca Municipal de Fermo, Calcografía Nacional-Fundación CaixaGalicia, Provincia de Ascoli Piceno-Comune di Fermo, Madrid, 2002.
MATILLA, José Manuel, y DE ANTONIO, Trinidad, Durero. Obras maestras de la Albertina, Museo Nacional del Prado, Madrid, 2005.
MOLINER, María, Diccionario de uso del español, Gredos, Madrid, 1987.
OSTERMANN, G., Les Prisions de Piranese, Suite des 14 gravures originales 1er état et des 16 gravures 2 état, Baudouin, Paris, 1979. —— Rembrandt. El paisaje natural y humano. Grabados, Fundación «Caixa»-Waanders, Zwolle- Barcelona, 1997. —— Viaje de estudios, Departamento de Teoría de la Arquitectura y Proyectos Arquitectónicos, Universidad de Valladolid, Valladolid, 1991-1992.
Downloads
Published
Issue
Section
License
The works published in this journal are the property of their respective authors, who grant the journal Bellas Artes the right of first publication, as stated in our Authorship Rights Policy.

