Subjetividad y musicalidad: de la Edad Media al Renacimiento
DOI:
https://doi.org/10.25145/j.cemyr.2017.25.005Abstract
Many of the modern ideas regarding new ways of creating, interpreting or listening to music as developed from the 17th century onwards were conceived in the Middle Ages through a process of musicality and subjectivity which reached its culmination in the Renaissance.
This work studies how the music illustrating those ideas acquired a gradual autonomy in the mentioned period. The analysis of this fact is fundamental for the comprehension of musical thought in the Modern Age
Downloads
Published
Issue
Section
License
The articles published in Cuadernos del Cemyr are distributed through the web portal of the Publications Service of the University of La Laguna and are freely accessible under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license (CC BY-NC-SA 4.0).
Authors retain the copyright and grant the journal the right of first publication of the work, as well as a Creative Commons license that allows others to share the work with an acknowledgement of the authorship of the work and its initial publication in this scientific journal.
Authors may separately establish additional agreements for the non-exclusive distribution of the version of the work published in Cuadernos del Cemyr (for example, publishing it in an institutional repository or in a book), with acknowledgement of its initial publication in this journal.
