La evocación musical del Medievo: canción narrativa, drama y cine «medieval» en inglés
DOI:
https://doi.org/10.25145/j.cemyr.2017.25.006Abstract
During the Middle Ages music and oral narrative came together in a forceful conjunction where they jointly produced sets of emotional effects. Music also served dramatic purposes in theatre, particularly to evoke the sacred in plays based on liturgical drama, or else to conjure other times and places such as the Forest of Arden in Shakespeare’s As You Like It, based on the medieval Robin Hood forest. It is in the popular ballad tradition that the link of narrative and melody continues beyond the Middle Ages, until the 19th century milieu, coinciding with the hegemony of the novel, when they tend to come apart. Music and text, along with the visual, definitely meet again in the age of cinema, however the music in films of medieval subjects hardly relates to actual medieval music, save for the nostalgia of a time lost in the mythic past
Downloads
Published
Issue
Section
License
The articles published in Cuadernos del Cemyr are distributed through the web portal of the Publications Service of the University of La Laguna and are freely accessible under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license (CC BY-NC-SA 4.0).
Authors retain the copyright and grant the journal the right of first publication of the work, as well as a Creative Commons license that allows others to share the work with an acknowledgement of the authorship of the work and its initial publication in this scientific journal.
Authors may separately establish additional agreements for the non-exclusive distribution of the version of the work published in Cuadernos del Cemyr (for example, publishing it in an institutional repository or in a book), with acknowledgement of its initial publication in this journal.






