Intra-dramatic models of «audience-response» in Euripides’ Hecuba
DOI:
https://doi.org/10.25145/j.fortunat.2022.35.03Keywords:
Euripides, Hecuba, intra-dramatic models, audience's reactionAbstract
This paper aims to examine Euripides’ Hecuba from an interesting perspective, focusing on the neglected «other half» of the play’s production, that is, the audience. More concretely, the research studies the intra-dramatic signs through which Euripides demonstrates suitable models for the audience’s emotional and mental reaction to what is happening onstage.
Downloads
References
ABRAHAMSON, E. L. (1952): «Euripides’ Tragedy of Hecuba», TAPhA 83: 120-129.
BARLOW, S. A. (2008): The Imagery of Euripides. A study in the dramatic use of pictorial language, 3rd ed., London.
BATTEZZATO, L. (2018): Euripides Hecuba, Cambridge.
BIEHL, W. (1997): Textkritik und Formanalyze zur euripideischen Hekabe, Heidelberg.
BRIAKOU, I. (2020): ????? ?????????????? ??????????? ?????????????? ??? ?????? ???? ‘?????’ ??? ????????, ???????? [MA Thesis].
BURIAN, P. (2012): «??? ???? ????? ??????? ????? ??? ?????????: ? ?????????? ??? ???????? ??????», in P. E. EASTERLING (ed.), ?. ???? & ?. ??????? (transl.-eds. in Greek), ?????? ??? ??? ?????? ???????? ????????, Heraklion, 267-314.
COLLARD, C. (1990): «The Stasimon Euripides’ Hecuba 905-52», in M. GEERARD (ed.), Opes Atticae. Miscellanea Philologica et Historica Raymondo Bogaert et Hermanno Van Looy oblate, Hague, 85-97.
COLLARD, C. (1991): Euripides’ Hecuba with Introduction, Translation and Commentary, Warminster.
DE JONG, I. (1991): Narrative in Drama: The Art of Euripidean Messenger-Speech, Leiden.
DE JONG, I. (2004): A Narratological Commentary on the Odyssey, Cambridge.
DIGGLE, J. (1984a): Euripidis Fabulae, vol. 1, Oxford.
DIGGLE, J. (1984b): «Review: M.L. West: Greek Metre», CR 34: 66-71.
EASTERLING, P. E. (2012): «?????????? ??? ?????????», in P. E. EASTERLING (ed.), ?. ???? &?.??????? (transl.-eds. in Greek),?????? ??? ??? ?????? ???????? ????????, Heraklion, 225-66.
FLETCHER, J. (2012): «Law and Spectacle in Euripides’ Hecuba», in D. ROSENBLOOM & J. DAVIDSON (eds.), Greek Drama IV: texts, contexts, performance, Oxford, 225-43.
GASTI, E. (2009): ???????? ?????????. ???????? ?????????? ?????????, Athens.
GASTI, E. (2017): «??????????? ?????????? ???? ????????: ?????? ??? ????????? ???? ??????», Logeion 7: 216-245.
GENETTE, G. (1980): Narrative Discourse. An essay in Method, Ithaca, New York.
GREGORY, J. (1999): Euripides: Hecuba. Introduction, Text, and Commentary, Atlanta.
HALLIWELL, S. (2014): «??????????? ???? ??? ??? ????: ?? ??????? ??????????? ???? ????????», in J. GREGORY (ed.), ?. ??????, ?. ??????????? & ?. ???????? (transl.), ?. ?. ????? (ed.), ????? ??? ?????? ??? ??????? ????????? ?????????. 31 ?????????? ???????, 3re ed., Athens, 548-75.
HOURMOUZIADES, N. (1998): ???? ?????. ? ????? ??? ???????? ????????? ??? ?????? ?????, Athens.
HOURMOUZIADES, N. (2010): ? ????? ??? ?????? ???????? ?????, Athens.
HOURMOUZIADES, N. (2011): ????????? ?????. ????????-?????????-??????????, Athens.
HUTCHINSON, G.O. (2017). «Repetition,range,and attention:TheIliad», in C.TSAGALIS & A. MARKANTONATOS (eds.), The Winnowing Oar – New Perspectives in Homeric Studies, Berlin, Boston, 145-170.
KLERIS, C. & BABINIOTIS, G. (1999): ?????????? ??? ???? ?????????. ??????????????? - ?????????????, Athens.
LADA, I. (1994): «“Empathic understanding’’: emotion and cognition in classical dramatic audienceresponse», PCPhS 39: 94-140.
LADA-RICHARDS, I. (2002): «The subjectivity of Greek performance», in P. EASTERLING & E. HALL (eds.), Greek and Roman actors: aspects of ancient profession, Cambridge, New York, 395-418.
LADA-RICHARDS, I. (2008): «? ??????????? ??? ?????? ???? ?????? ???????? ??? ???????? ??????: ?????????? ??? ?????????, ???????? ??? ???????????», in ?. ????????????? - ?. ????????? (eds.), ?????? ???????? ????????. ?????? ??? ?????, Athens, 451-565.
LESKY, A. (2003): ? ??????? ?????? ??? ??????? ???????. ????? ??. ? ????????? ??? ?? ????? ??? ??????, (transl. N. HOURMOUZIADES), 3rd ed., Athens.
LEY, G. (1987): «The Date of Hecuba», Eranos 85: 136-37.
LUCAS, D. W. (1968): Aristotle, Poetics. Introduction, commentary and appendixes, Oxford.
MACURDY, G. H. (1966): The Chronology of the Extant Plays of Euripides, New York.
MARINIS, A. (2018): «? ????? ??? ? ????????????? ??? ?????? ????? ???? ??? ?????», in ?. ??????? & ?. ??????????? (ed.), ?????? ??? ??????????: ???????? ? ??????????? ????????????? ?????????, Athens, 73-92.
MARSHALL, C. W. (1992): A Commentary on Euripides’ Hecuba 658-1295, Edinburgh [Ph.D. Diss.].
MARSHALL, C. W. (1994): «The Rule of Three Actors in Practice», T&P 15: 53-61.
MICHELINI, A. (1987): Euripides and the Tragic Tradition, Madison.
MITCHELL-BOYASK, R. (2006): Euripides Hecuba. Introduction, Translation and Commentary, Newburyport, MA.
MOSSMAN, J. (1995): Wild Justice. A study of Euripides’ Hecuba, Oxford.
PAGE, D. (1934): Actors’ Interpolations in Greek Tragedy, Oxford U. P., London.
RIMMON-KENAN, S. (2002): Narrative Fiction. Contemporary Poetics, London, New York.
SEGAL, C. (1993): Euripides and the Poetics of Sorrow. Art, gender, and commemoration in Alcestis, Hippolytus and Hecuba, Durham, N.C.
STANFORD, W. B. (1983): Greek Tragedy and the Emotions. An introductory Study, London, Boston.
STATHIS, E. (1973): ?????????? ??? ???????? ??? ?????, Thessaloniki.
SYKOYTRIS, I. (1937): ???????????? ???? ?????????, Athens.
SYNODINOU, K. (2005a): ????????? ?????. ????????, ???????, ?????????, ????? ??, Athens.
SYNODINOU, K. (2005b): ????????? ?????. ??????, ????? ??, Athens.
SYROPOULOS, S. (2016): «Which audience does Euripides address? The reception of the poet in respect to the political intelligence of his audience», Electryone 4: 26-43.
VISVARDI, E. (2011): «Pity and panhellenic politics. Choral emotion in Euripides’ Hecuba and Trojan Women», in D. M. CARTER (ed.), Why Athens? A Reappraisal of Tragic Politics, Oxford, 269-91.
WILAMOWITZ-MOELLENDORFF, U. VON (1959): Euripides’ Herakles, II, 2nd ed, Berlin.
Downloads
Published
Issue
Section
License
Authors retain copyright and grant the journal the right to be the first publication of the work as well as license it under a Creative Commons Attribution License that allows others to share the work with acknowledgment of authorship of the work and initial publication in this magazine.
Authors may separately establish additional agreements for the non-exclusive distribution of the version of the work published in the journal (for example, placing it in an institutional repository or publishing it in a book), with an acknowledgment of its initial publication in this journal.
