Promesas y prótesis

  • Teresa Arozena Universidad de La Laguna
Keywords: technique, photography, cinema, science, art, entropy, image, mind, neoluddities, techno-utopianists, telepresence, ubiquity, cyborg, prothesis, tecnosphere, programs, simulation, narrative

Abstract

Like a brief introduction, the article gives a view of the integrating movement of science and tecnology in representative arts. Photography and cinematography are considerated like hot spots in this «cold perception» that has been developed in art. The evolution operated in perceptual and cognitive systems it’s analysed from the beginig of the photographic and cinematographic apparatus to nowadays —the telecomunications and digital age— where important changes take place. In this context, some new representational vectors in relation with the image technique are outlined.

Published
2023-09-18
How to Cite
Arozena, Teresa. 2023. “Promesas Y Prótesis”. Latente - Revista De Historia Y Estética Del Cine, Fotografía Y Cultura Visual, no. 1 (September), 7-20. https://www.ull.es/revistas/index.php/latente/article/view/5766.
Section
Miscellaneous