Quo vadis? Una pieza más en el puzzle de la Guerra Fría
Abstract
Quo Vadis? has become one of the most usual religious films ever filmed. However, in as much as films also content in themselves images in action, Quo Vadis? offers a good chance to revisit their texts and images from another point of view, nor historical, neither religious or aesthetic, but political. And so, Nero the Emperor must be seen as a predecessor of Stalin and some peculiarities of the struggle between Rome and Chistianity, as a symbol of the Cold War.
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