The World Under the Mask: The Creative Vortex in Le Fantôme de l'Opera

Authors

  • Carmen Milagros González Chávez Universidad de La Laguna

DOI:

https://doi.org/10.25145/j.latente.2022.20.03

Keywords:

phantom, opera, novel, literary sources, film

Abstract

This article aims to analyse some film adaptations of Gaston Leroux’s novel Le Fantôme de l’Opéra (especially The Phantom of the Opera, a silent film from 1925 and Andrew Lloyd Webber’s The Phantom of the Opera, a musical from 2004). Film and literature go hand in hand to create a mystery that raises associations to other literary sources and other artistic manifestations.

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Published

2022-07-17

Issue

No. 20 (2022)

Section

Miscellaneous

License

The originals published in Latente are property of their respective authors, who grant to the magazine the right of first publication of the texts and their lodging in other web portals in order to guarantee their preservation and a greater diffusion. Article contents are subject to a CC BY-NC-SA license.

How to Cite

González Chávez, Carmen Milagros. 2022. “The World Under the Mask: The Creative Vortex in Le Fantôme de L’Opera”. Latente - Revista de Historia Y Estética del Cine, Fotografí­a Y Cultura Visual, no. 20 (July): 81-102. https://doi.org/10.25145/j.latente.2022.20.03.