Iconological analysis of the cinematographic genres of Duel (Steven Spielberg, 1972)

Authors

  • Santiago García Ochoa IES Manuel Chamoso Lamas

Keywords:

Iconology, Cinematographic Genres, Steven Spielberg, Duel

Abstract

This article suggests the possibility of studying cinematographic genres present in a film (Duel), from the Panofskian iconology, to unravel how the generic elements connect to the rest of codes and significant segments of the film text and create concrete symbolic values, consciously or unconsciously (as mere symptoms of a certain era and mentality) introduced by the filmmakers.

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Published

2016-11-17

Issue

No. 14 (2016)

Section

Miscellaneous

License

The originals published in Latente are property of their respective authors, who grant to the magazine the right of first publication of the texts and their lodging in other web portals in order to guarantee their preservation and a greater diffusion. Article contents are subject to a CC BY-NC-SA license.

How to Cite

García Ochoa, Santiago. 2016. “Iconological Analysis of the Cinematographic Genres of Duel (Steven Spielberg, 1972)”. Latente - Revista de Historia Y Estética del Cine, Fotografí­a Y Cultura Visual, no. 14 (November): 117-38. https://www.ull.es/revistas/index.php/latente/article/view/5764.