Film Archives as Museums. A Paradigm Shift.

Authors

  • Valeria Camporesi Filmoteca Española / Universidad Autónoma de Madrid

DOI:

https://doi.org/10.25145/j.latente.2024.22.01

Keywords:

Filmoteca, museo, patrimonio cinematográfico, restauración, películas huérfanas

Abstract

Establishing as its point of departure the writings of some of the most recognized professionals of the cinematographic archives at a global level, the text reviews the main areas of work of the filmotecas in the specific context of the 21st century and maintains that they are comparable to those of a museum. The conclusions point to the idea that these institutions should be considered as museums of 20th century culture.

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Published

2024-07-30

Issue

No. 22 (2024): Conservation and restoration of audiovisual material: a present and future challenge

Section

Monographic

License

The originals published in Latente are property of their respective authors, who grant to the magazine the right of first publication of the texts and their lodging in other web portals in order to guarantee their preservation and a greater diffusion. Article contents are subject to a CC BY-NC-SA license.

How to Cite

Camporesi, Valeria. 2024. “Film Archives As Museums. A Paradigm Shift”. Latente - Revista de Historia Y Estética del Cine, Fotografí­a Y Cultura Visual, no. 22 (July): 9-21. https://doi.org/10.25145/j.latente.2024.22.01.