No. 1 (2003)

This inaugural issue of the journal brings together a series of studies focused on cinema, photography, and visual culture from historical, aesthetic, and critical perspectives. The articles address topics such as the relationship between cinema and painting, the representation of figures and myths in audiovisual media, and the analysis of film as a form of thought, with philosophical readings applied to contemporary works. It also includes studies on the adaptation of theatrical and literary texts into film, the reinterpretation of genres and filmic narratives, and analyses of filmmakers such as Ripstein and Garciadiego. The volume further reflects on recent historical events and their audiovisual representation, as well as works focused on symbolic and narrative cinema. Overall, this first volume establishes the foundations of the journal by proposing an interdisciplinary vision of audiovisual media as a space for dialogue between history, art, and thought.