No. 4 (2006)

This issue of the journal brings together a series of studies focused on cinema from historical, aesthetic, and cultural perspectives, with particular attention to the analysis of works, filmmakers, and themes from both classical and contemporary audiovisual production. The articles address topics such as the representation of the city in film, the depiction of sexuality and emotional relationships in auteur cinema, and the relationship between cinema and fashion in early twentieth-century Hollywood. It also includes theoretical reflections on horror cinema and film thought, as well as studies devoted to adaptation, intertextuality, and the dialogue between cinema and other arts. Overall, the volume offers a diverse approach that combines the historical analysis of cinema with cultural and aesthetic readings of its forms of representation.