El Teatro de las Emociones. Trento, Mel Gibson y su Pasión de Cristo

Authors

  • Clementina Calero Ruiz Universidad de La Laguna

Keywords:

Cinema and Baroque, Inquisition, Passion of the Christ, Sacred Images

Abstract

With this paper we’ve just tried to show how the cinema, in concret films like «The Passion of the Christ», can produce in the peopleof the XXIst century the same shock that the Holly Week parades produce to the people who assisted to them in the XVIIth century inWestern Europe.

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Published

2005-04-15

Issue

No. 3 (2005)

Section

Miscellaneous

License

The originals published in Latente are property of their respective authors, who grant to the magazine the right of first publication of the texts and their lodging in other web portals in order to guarantee their preservation and a greater diffusion. Article contents are subject to a CC BY-NC-SA license.

How to Cite

Calero Ruiz, Clementina. 2005. “El Teatro de Las Emociones. Trento, Mel Gibson Y Su Pasión de Cristo”. Latente - Revista de Historia Y Estética del Cine, Fotografí­a Y Cultura Visual, no. 3 (April): 101-10. https://www.ull.es/revistas/index.php/latente/article/view/5960.