No. 3 (2005)

This issue of the journal brings together a wide selection of studies devoted to cinema, photography, and visual culture from historical, aesthetic, and critical perspectives. The articles address topics such as the relationship between photography and Romantic painting, the analysis of Argentine cinema in relation to popular memory, and the representation of historical figures such as Columbus in Spanish cinema. It also includes works focused on Cold War cinema, contemporary religious film, and the work of filmmakers such as Pasolini and Shadi Abdel Salam, along with studies on female archetypes and reinterpretations of classical myths in audiovisual media. Popular genres such as the Western and romantic comedy are also analyzed, as well as horror cinema and its cultural imaginaries. The issue is completed with a photographic exhibition and a book review, reinforcing its miscellaneous character.