Pasolini o el Centauro Moderno

Authors

  • Néstor Verona Carballo

Keywords:

Anthropology of Art, Mithology, History of Religion, Aedipos Complex, Psychoanalysis, Ritual Sacrifice

Abstract

The present paper tries to show a kind of interpretation for two films, Medea and Edipo Re, that smacks of the literary vision of the myths in which they are based on. Pasolini checks the antithetic coexistence between nature and culture, and places in the center of an anthropologic speech the opposition that represent the modern and the traditional man.

Downloads

Published

2005-04-15

Issue

No. 3 (2005)

Section

Miscellaneous

License

The originals published in Latente are property of their respective authors, who grant to the magazine the right of first publication of the texts and their lodging in other web portals in order to guarantee their preservation and a greater diffusion. Article contents are subject to a CC BY-NC-SA license.

How to Cite

Verona Carballo, Néstor. 2005. “Pasolini O El Centauro Moderno”. Latente - Revista de Historia Y Estética del Cine, Fotografí­a Y Cultura Visual, no. 3 (April): 111-20. https://www.ull.es/revistas/index.php/latente/article/view/5961.