El cine argentino y la memoria popular: confluencias y aportes

Authors

  • Patricia Delponti Macchione Universidad de La Laguna

Keywords:

Argentinean Militar Dictatorship, Cinema of Denunciation, Rebuilding the Past, Democracy, Economic Limitations, Political and Social Will

Abstract

The cinema is one of the main cultural ways to show the will to experiment and not quite clear, but always in search of a fairer society. From the beginning of the Argentinean movies, the historical topics were very interesting for the public and the producers, so to reconstruct the period of the last military dictatorship lived by the Andean country. Such event was the main subject matter of the cinematographic production, during the following years of democracy. Likewise, with the objectivity broken, it is possible to recognize in the works, some elements of neorrealism, specially in the idea of considering the movie as a window through which one sees the world. Despite of the economic conflicts, the Argentinean cinema opened the doors to the will of change and to re-intensify the labour started in the 60’s about the new cinema, by means of the work cooperative societies.

Downloads

Published

2005-04-15

Issue

Section

Miscellaneous

How to Cite

Delponti Macchione, Patricia. 2005. “El Cine Argentino Y la Memoria Popular: Confluencias Y Aportes”. Latente - Revista de Historia Y Estética del Cine, Fotografí­a Y Cultura Visual, no. 3 (April): 55-72. https://www.ull.es/revistas/index.php/latente/article/view/5956.