Bachelor's Degree in History
of Art

Curriculum Structure

The Bachelor's Degree in Art History from the University of La Laguna has been developed in accordance with current regulations, and more specifically based on the provisions of Royal Decree 1393/2007, of October 29, which establishes the organization of official university studies, and on the various regulations issued by the University of La Laguna: the Regulations of the Undergraduate Studies Committee of the University of La Laguna (approved by the Governing Council on October 22, 2007) and the General Guidelines for the Design of Undergraduate Degrees at the University of La Laguna (Governing Council of January 30, 2008). Among other guidelines, in addition to those included in the general regulations of the Ministry of Education and Science, the following aspects should be noted:

  • An elective of between a 5% and a 10%, with an offer of two elective credits for each elective credit that the student must pass.
  • Include subjects or activities in which the content is taught in another European Union language, preferably English.
  • The recommendation is that the 60 credits for core subjects be shared across the different degrees in the same branch, although if only 36 are scheduled, they must necessarily be shared.
  • The obligation to include a minimum of 12 credits of external internships.

In accordance with ministerial guidelines and those of our own University, we decided to include optional subjects in 10%, an external internship of 18 compulsory credits, and a 6-credit assessment of the final degree project. These criteria give our draft curriculum the following structure:

Distribution of the curriculum by subject type
Type of subject Credits
Basic training 60
Mandatory 138
Optional (credits offered) 24
Internships 12
Final Degree Project 6
TOTAL 240

1. Modules and subjects included in the study plan

The general objectives, knowledge, and competencies of the degree, outlined in Chapter 4, have been structured around four modules containing the knowledge and competencies indicated therein. As will be seen, we have opted to conceive of a module as a grouping of related subjects and courses from a disciplinary perspective. The four modules around which the subjects and courses are structured are as follows:

  1. Knowledge of the General History of Universal Art as a complex, open, and discontinuous process based on the compartmentalization of historical time into units made up of periods of different duration.
  2. Knowledge of the history, methods, and current issues of conservation, restoration criteria, management, protection, and dissemination of historical and artistic heritage.
  3. Systematic and integrated knowledge of artistic fact.
  4. Interdisciplinary and instrumental knowledge.

The organization of these modules into subjects and courses will allow us to organize and schedule all the content and competencies over the four academic years. The distribution of the modules, subjects, and courses in the degree will be as follows:

Module Subject Subjects
Module 1:
General History of Universal Art
Knowledge of the History of Universal Art History of Ancient Art
History of Medieval Art
History of Renaissance Art
History of Baroque Art
18th Century Art
History of Contemporary Art I
History of Contemporary Art II
The arts and architecture of the contemporary world I
The arts and architecture of the contemporary world II
Knowledge in thematic and territorial historical-artistic fields Urban History
Art and Architecture in Austrian Spain
Ibero-American Art
Art in the Canary Islands
Knowledge of the history and language of cinema, photography and other audiovisual arts Introduction to Film Language
History of Cinema and other audiovisual arts I
History of Cinema and other audiovisual arts II
History of Photography
History of Spanish and Latin American Cinema
Art and Audiovisual Culture
Knowledge of music history and musical language Elements of Musical Language
History of Music I
History of Music II
Ethnic and Popular Music
Module 2:
Conservation, restoration, management and dissemination of historical and artistic heritage
Conceptual and legislative knowledge, as well as knowledge of heritage management, dissemination and research techniques Heritage and Legislation: Conservation, Management and Dissemination
Museology, Exhibitions and Art Market
Module 3:
Systematic and integrated knowledge of the artistic fact
Knowledge for the interpretation of images Myths and Classical Culture in Art
Christian Iconography
Critical and theoretical knowledge of the History of Art Theory and Aesthetics of Arts and Architecture
Theory of Audiovisual Arts and Music
Artistic Criticism
Knowledge of methodologies, literary and documentary sources Sources and Methodologies for the History of Art
Module 4:
Interdisciplinary and instrumental knowledge
Knowledge of the diachronic structure of the past and critical awareness of the space-time coordinates and the geographical and cultural limits and interrelations Introduction to History
Introduction to philosophical problems
Introduction to the History of Art
Visual culture and contemporary artistic expression
Art and Literature
Oral and written expression in Spanish and another modern language Expression techniques in Spanish
Techniques of expression in a modern language I
Techniques of expression in a modern language II
Knowledge of material conditions, procedures and artistic and construction techniques Artistic Techniques
Architectural Elements and Languages

The curriculum is structured using two levels of grouping: subjects and modules. Subjects that can be considered in an integrated way have been grouped as subjects; on the other hand, one or more subjects that constitute an organizational unit within the curriculum have been grouped into modules.

2. Temporary planning of teachings

Curriculum Planning
First quarterSecond quarter
SubjectCreditsSubjectCredits
First course
Modern Language Expression Techniques I (Fb)6Modern Language Expression Techniques II(Fb)6
Spanish Expression Techniques (Fb)6Introduction to philosophical problems (Fb)6
Introduction to the History of Art (Fb)6Myths and classical culture in Art (Fb)6
Introduction to History (Fb)6Introduction to film language (Fb)6
Visual culture and contemporary artistic expression (Fb)6Art and Literature (Fb)6
Second year
History of Ancient Art (Ob)6History of Renaissance Art (Ob)6
History of Medieval Art (Ob)6History of Baroque Art (Ob)6
History of Music I (Ob)6Christian Iconography (Ob)6
Artistic techniques (Ob)6 Ibero-American Art (Ob)6
Architectural elements and languages (Ob)6History of Art in the Canary Islands (Ob)6
Third year
History of Contemporary Art I (Ob)6History of Contemporary Art II (Ob)6
History of cinema and other audiovisual arts I (Ob)6History of cinema and other audiovisual arts II (Ob)6
History of Music II (Ob)6Urban History (Ob)6
Heritage and legislation: conservation, management and dissemination (Ob)6Museology, exhibitions and art market (Ob)6
Sources and methodologies for the History of Art (Ob)6History of photography (Ob)6
Fourth year
Theory and aesthetics of the arts and architecture (Ob)6Artistic criticism (Ob)6
Theory of audiovisual arts and music (Ob)6Choose 1 OPTIONAL
The Arts and Architecture in the Contemporary World II(**)(Op)
18th Century Art (Op)
6
Choose 3 electives
The arts and architecture of the contemporary world I (*)(Op)
History of Spanish and Latin American cinema (Op)
Art and audiovisual culture (Op)
Elements of musical language (Op)
Ethnic and popular music (Op)
Art and architecture in Austrian Spain (Op)
6×3External Practices (Ob)
Final Degree Project (Ob)
12
6
Nature of the subject
Basic Branch (Fb)Mandatory (Ob)Elective (Op)