Female taste at the baroque Court. The portraits of Isabel de Borbón and Mariana of Austria

  • Beatriz Romero Chaves Universidad de Sevilla. Grupo de Investigación HUM-171 Centro de Investigación de la Historia de la Arquitectura y el Patrimonio Artístico Andaluz https://orcid.org/0000-0002-7542-8576
Keywords: Moder Art, Spain, Female fashion, Political power

Abstract

Women's fashion has been a constant display of power and distinction throughout history. In baroque Spain, full of artifice, theatricality and opulence, the clothing of royal women marked an influence on the aristocratic and wealthy classes of society, while the protagonists reaffirmed their role of authority and power, of privileged position and protagonist. The 17th century portrait allows us to discover and contextualize that the clothing showed a compendium of tastes on the part of the two wives of Philip IV, marked by the place of birth and the country in which they reigned. The analysis of a series of portraits of both queens made by not only relevant authors, such as Velázquez or Rubens, but also by others less known or anonymously authored, is interesting. All of them analyzed to appreciate the taste and fashion of the Spanish royalty of the time, and as a reflection of the personality and way of being of both sovereigns.

 

Author Biography

Beatriz Romero Chaves, Universidad de Sevilla. Grupo de Investigación HUM-171 Centro de Investigación de la Historia de la Arquitectura y el Patrimonio Artístico Andaluz
Graduate in Law and Doctor in Art History from the University of Seville.  Her Thesis, which obtained the highest qualification of Outstanding Cum laude, was part of the R&D&I Project Women's Agency in the Andalusian Artistic Scene (1440-1940) (PY20_012608) of which she is a part. He is also a member of the History of Architecture and Andalusian Artistic Heritage Research Group (CIHAPA. HUM-171); of the Permanent Observatory of Art and Gender of the University of Seville, being responsible for the Technical Secretariat of said organization and Honorary Assistant of the Department of Art History of the University of Seville. She is also a collaborator of the Experience Classroom, teaching at different locations. Likewise, it participates in volunteer projects for Development and Awareness focused on gender equality, access to culture and education, violence prevention, social intervention and inclusion and Human Rights, organized by the Spanish Red Cross and disseminated in Andalusian institutes and universities, since 2011. He has published in books and magazines, both international and national, and has participated as a speaker in several conferences and conferences organized by the universities of Seville, Zaragoza and León. She has also been a guide and curator of exhibitions. Her main lines of research are the visual culture of the 19th century, the gender approach in art, the representation of women and women's fashion.
PORTADA
Published
2025-06-24
How to Cite
Romero Chaves, Beatriz. 2025. “Female Taste at the Baroque Court. The Portraits of Isabel De Borbón and Mariana of Austria”. Accadere. Journal of Art History, no. 9 (June), 37-53. https://www.ull.es/revistas/index.php/accadere/article/view/7197.
Section
Artículos