e-ISSN: 2660-9142
DOI: 10.25145/j.histart
Internationally oriented issue addressing: the book Twentysix Gasoline Stations by Ed Ruscha, which represented a paradigm shift, both through the emergence of a new working format and through the definition of a new way of understanding the artist’s profession; a survey of the life and work of the Cuban singer Merceditas Valdés, a mediator between Yoruba culture and Afro-Cuban music, commemorating the centenary of her birth; the posters produced for the tourist promotion of Asturias, commissioned by two institutions operating under different dictatorial regimes at the beginning of the twentieth century—the National Tourism Board and the General Directorate of Tourism; the trajectory of several paintings of particular interest originating from the Monastery of San Zoilo de Carrión until their definitive disappearance; the evolution and development of the iconography of Saint John the Baptist in cinema; the paths of disintegration of the collection of the sixth Count of Monterrey; and the compilation of the documented works attributed to date to the sculptor Jerónimo Gómez, intended to serve as a concise catalogue of the artist and his workshop.
Published:
2024-12-02
