This international issue addresses: 1. The representation of King Charles II (1661–1700) through the proclamation medals produced for the official ceremonies held in 1666 in Seville, Granada, and the Spanish Netherlands; 2. The proliferation of the various terms used to refer to artistic research—research on, for, and in art—and their epistemological and institutional implications; 3. The professional career of Pedro García de Sanlúcar, one of the master builders of Seville Cathedral during the early phases of the Gothic project, documented between 1419 and 1440; 4. The artistic theory of Piet Mondrian, with particular attention to his reflections on art’s capacity to evoke emotions in the viewer, the nature of those emotions, and the means through which they are generated, a dimension frequently overlooked due to the rationalist interpretation of his work; and 5. The awards granted by the “Manuel Belgrano†Fine Arts Salon from a gender perspective during the period between 1980 and 1990.