Announcements

CALL FOR PAPERS, ACCADERE Nº11 (JUNIO 2026)

2026-01-19

NOTICE TO THE ACADEMIC COMMUNITY

Dear Readers:

The Editorial Board of Accadere. Journal of Art History wishes to remind the scientific community that the journal keeps its regular manuscript submission period open for the issue corresponding to June 2026, with a submission deadline of 15 February 2026.

Accadere welcomes original research articles, resulting from unpublished work, with an explicit methodological approach and a clear contribution to historiographical and critical debate in the field of Art History and Visual Studies.

In this regard, the importance is recalled of manuscripts presenting, in an articulated and coherent manner:

  • a clearly defined theoretical framework,

  • precise research objectives,

  • explicit hypotheses,

  • a clearly formulated methodology,

  • a critical analysis supported by sources and specialized bibliography,

  • and conclusions consistent with the development of the study.

Likewise, strict compliance with the editorial guidelines is essential, as is the correct completion of metadata on the platform and the submission of the Authorship Form, as well as the anonymous submission of the manuscript, in accordance with the double-blind peer review system.

The journal reaffirms its commitment to an editorial policy based on scientific rigor, transparency in the evaluation process, and the academic quality of the works published.

We thank the research community for its continued interest and for its contribution to the development of a critical and methodologically sound historiography.

The Editorial Board
Accadere. Journal of Art History

 

Read more about CALL FOR PAPERS, ACCADERE Nº11 (JUNIO 2026)

Current Issue

No 10 (2025)
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National issue featuring: a study on the perspectives and feigned architectural effects of Baroque mural painting in Sanlúcar de Barrameda during the eighteenth century; an analysis of art-market manipulations and heritage lossbased on the case of the paintings of Santa María del Águila destroyed in 1936; an examination of the presence and projection of the artists Victoria Martín Barhié and Alejandrina Gessler in nineteenth-century academic Cádiz; an investigation into the typology, symbolism, and artistic references of the plazas of Spain, with special attention to that of Seville; a documentary review of the frustrated foundational project of the Hieronymite monastery of San Juan de Aznalfarache, promoted by the Count-Duke of Olivares; and a technical and stylistic study of the sculpture Nuestra Señora del Rosario of Algodonales, attributed to the sculptor Cristóbal Ramos and focused on the original polychromy of the work.

Published: 2025-12-01
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 Accadere. Revista de Historia del Arte of the Department of Art History and Philosophy of the University of La Laguna was founded in 2020 by the will of a group of professors from the aforementioned Department. It is a biannual, digital, free publication that accepts unpublished and original contributions that are not under review in other journals. Its contents are subject to a double blind peer review process, may refer to any branch of artistic and historical-artistic studies, and may be written in Spanish, English, Portuguese, and Italian.