Symbolic Interaction in the Liminal Non-place: a Microsociological Reading of Bernard-Marie Koltès
Abstract
This essay interprets Bernard-Marie Koltès’ play In the Solitude of the Cotton Fields (1986) from the point of view of Erving Goffman’s microsociology. The symbolic interaction between the Client and the Dealer is analysed as a form of performative ritual deployed in the liminal non-place of supermodernity, where two strangers engage in a contest of characters with fatal consequences. Since neither of them can withdraw from the confrontation without suffering a slur to the sacredness of the face, a utilitarian compromise cannot be achieved. The struggle, carried out in a highly ritualized manner, leads to the breakdown of social ties and moral obligations.
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