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National issue featuring:a study on the perspectives and feigned architectural effects of Baroque mural painting  in Sanlúcar de Barrameda during the eighteenth century; an analysis of art-market manipulations and heritage loss based on the case of the paintings of Santa María del Águila destroyed in 1936; an examination of the presence and projection of the artists Victoria Martín Barhié and Alejandrina Gessler in nineteenth-century academic Cádiz; an investigation into the typology, symbolism and artistic references of the plazas of Spain, with special attention to that of Seville; a documentary review of the frustrated foundational project of the Hieronymite monastery of San Juan de Aznalfarache promoted by the Count-Duke of Olivares;
and a technical and stylistic study of the sculpture Nuestra Señora del Rosario of Algodonales, attributed to the sculptor Cristóbal Ramos and focused on the original polychromy of the work.

Published: 2025-12-01

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